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The CC3D
See the world a different way with the CC3D Rig
CC3D CC3D CC3D
CC3D

CC3D CC3D CC3D CC3D CC3D

 

CC3D

Features

As filmmakers explore how 3D can enhance their stories, the rigs have adapted to match. The CC3D rig is built from the ground up to be lightweight and user friendly. Coming in at half the weight of other solutions, the CC3D rig is even capable of being handheld.

Powered calibration with a built-in target makes alignment both easier and quick. As changes are made to the cameras, the entire rig shifts—keeping the balance perfect. This makes it an ideal solution for Steadicam work.

It’s ability to be mounted in either over-through or under-through configurations, as well as a wired or wireless hand unit, make it one of the most flexible solutions in the world today. Integrated electronics and power distribution for the cameras means power distribution is no longer an issue.

  • IA travel 0-4"
  • Integrated motors for IA and Convergence control as well as motorized control for pitch, roll, and height
  • Wired/wireless remote hand unit for rig control
  • Camera and Lens agnostic
  • Compatible with prime lenses and zooms
  • Over/Thru and Under/Thru configurations
  • Integrated electronics and power distribution for camera
  • Rig mounting plate moves to compensate for weight shift as interaxial changes for perfect steadicam balance
  • The internal illuminated target simplifies and speeds up the rig alignment process

CC3D Beamsplitter Kit
CC3D 3D Rig
  • CC3D Beamsplitter Mirror Box
  • CC3D Camera and Accessory Breakout Box
  • CC3D Wireless IA and Convergence Control

ADD TO QUOTE

Not everything you're look for? Use the section below to add additional gear.

 

Red Scarlet 3D Package

  • 2x Scarlet-X Camera Bodies
  • 2x Custom Element Technica Interface Plates
  • 2x 5" Red Touch LCD Monitors
  • 6x 128GB SSD Cards
  • 2x AC Power Supply
 

Red Epic 3D Package

  • 2x Epic-M Camera Bodies
  • 2x Custom Element Technica Interface Plates
  • 2x 5" Red Touch LCD Monitors
  • 6x 128GB SSD Cards
  • 2x AC Power Supply
 

Red One 3D Package

  • 2x Red One Camera Bodies
  • 2x Element Technica HD-SDI Breakout Box
  • 2x Element Technica RED 3D Interface Plates
  • 2x 5.6" LCD On-Board Monitor
  • 10x 16GB Compact Flash Cards
  • 2x AC Power Supply
 

 

Cine-tal Davio Multiplexer

A versatile solution for 3D stereoscopic production
  • Production, post-production, DI, color grading, visual effects
  • 3D stereoscopic signal processing and calibration
  • Create and convert 3D stereo formats (side-by-side, over/under, line interlaced, pixel mesh, frame toggle, anaglyphic)
  • Independent color processing for left and right channels
 

AJA Gen10 Sync Box

Sync multiple cameras for 3D and visual effects
  • HD Tri-level sync generation
  • Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  • Assignable in two groups to either HD or SD (4 BNCs: Outputs 1 through 4, 2 BNCs: Outputs 5 through 6)
  • Power Supply Range: 5-18VDC
  • External Dip Switch Configuration
 

AJA HI5 HD-SDI to HDMI

Split your camera signal allowing for multiple client/director monitors.
  • SDI or HD-SDI to HDMI for driving HDMI monitors
  • Output HDMI with embedded audio, 24-bit (selectable by internal jumper: 2 or 8 channels)
  • Audio in/out also 2 channel RCA-style outputs at -10dBV (nominal), Ch. 1 and 2
  • 1 Looping SDI/HD-SDI output of the SDI input (for "Daisy Chain")
  • Input SMPTE-259/274/292/296 SDI/HD-SDI, 1 x BNC
  • Size: 4.6" x 2.4" x 1" (117 x 61 x 25mm)
 

AJA HD5DA 1x4 HD-SDI Distribution Amplifier

The HD5DA is a miniature, 1x4 HD-SDI/SDI distribution amplifier/repeater
  • Auto Input
  • Small Footprint
  • Four seperately buffered HD-SDI outputs
  • Power via V-Mount or Gold Mount
 

BlackMagic SDI to HDMI

More options for splitting your camera signal, to allow for multiple client/director monitors.
  • SD, HD and SDI (3 Gb/s) video input
  • 2 channels of professional balanced analog or digital audio with standard 1/4 inch jack connections
  • SDI Redundant input Automatically switches over if main SDI input is lost
  • Auto detection of HD or standard definition SDI inputs
 

AJA KiPRO

A tapeless video recording device that creates high-quality Apple ProRes 422 QuickTime files on a computer-friendly Storage Module.
  • SD and HD-SDI (1xBNC), HDMI Digital Inputs and Outputs
  • SD/HD Component (3xBNCS) Analog Inputs adn Outouts
  • Embeded digital audio and Anolog Dual XLR audio inputs and outputs
  • Network capable
  • LTC timecode input and output via BNC
  • Records to all flavors of ProRess
 

Denecke SB-T Timecode Box

Efficiently read, generate and jam timecode.
  • Input: -15dB @ 4.7K; 1/80 mini phone jack
  • TCXO Crystal: +/- 1PPM @ -30¼ to +75¼ C
  • Battery Power: 3 Alkaline Batteries Battery Life: 48+ Hours
  • External Power: 5.7v to 16v DC
  • 2 Video Outputs: Composite: (PAL and NSTC) and Trilevel: (All 1920 x 1080 Formats and 1280 x 720 formats)
  • Size: 4.4750 x 2.9000 x 1.0500
  • Weight: .750 pounds (with batteries)
 

 

RED 18mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.45lbs
  • Arri PL Mount
 

RED 25mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.16lbs
  • Arri PL Mount
 

RED 35mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.07lbs
  • Arri PL Mount
 

RED 50mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 152.4mm (6") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.53lbs
  • Arri PL Mount
 

RED 85mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 609.6mm (24") Close Focus From Sensor
  • 457.2mm (18") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.2lbs
  • Arri PL Mount
 

RED 100mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 762mmm (30") Close Focus From Sensor
  • 609.6mm (24") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.39lbs
  • Arri PL Mount
 

Angenieux Optimo 16-42mm T2.8 Zoom Lens (Stereo Pair)

  • Opens up to T2.8
  • 24" Close Focus From Sensor
  • Weighs 4.2lbs
  • Arri PL Mount
 

Angenieux Optimo 30-80mm T2.8 Zoom Lens (Stereo Pair)

  • Opens up to T2.8
  • 24" Close Focus From Sensor
  • Weighs 4.2lbs
  • Arri PL Mount
 

 

Anton Bauer VCLX Cine Block Battery

Exponentially more powerful and longer lasting super-duty batteries.
  • Size: 10.00 x 12.75 x 5.50 inch (25.40 x 32.39 x 13.97 cm)
  • Weight: 25.0 lbs (11.3 kg)
  • Power Outputs: (2) 4p XLR for 14.4v and (1) 3p XLR for 28v
  • Provides Dual simultaneous outputs (20 amps@ 14.4v ; 12 amps @28v)
  • Realtime life display
 

Frezzi Universal Juicebox Power Supply

The Universal Juicebox is the most powerful and versatile AC power supply in the industry.
  • Delivers both 14.4v and 28v simultaneously
  • Ideal for use with a variety of cameras, monitors, lights and other equipment
 

 

O'Connor 120EX Fluid Head (Mitchell)

Super-duty and ultra smooth.
  • Collapsible crank knob and digital readout make counterbalancing the payload easy
  • New sideload mechanism features a push-and-turn knob for precise adjustment of the fore/aft platform
  • Capacity: 240 lbs. (109 kg)
  • 150mm Mitchell Base
  • +/- 90 Degree Tilt Range
 

Ronford-Baker Standards (Mitchell)

Designed for full studio, video, and all 35mm and 65mm film cameras.
  • Minimum Height: 3'
  • Maximum Height: 5' 6"
  • Weight: 22 lbs
  • Mitchell Mount
 

Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.
  • Minimum Height: 1' 8"
  • Maximum Height: 3'
  • Weight 11lbs
  • Mitchell Mount
 

Hi-Hat (Mitchell)

Durable support for low-angle shooting.
  • Hight: 4.5"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.
  • Height: 1.75"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.
  • Weight: 22 pounds (10Kgs)
  • Made from High Tensile Alloy
  • Folds flat and locks for easy transport and storage.
 

Water Horns

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.
  • Attach with no modification to the Quasar frame
  • Comfortable placement and grip
  • Supports the 3D rig at its center of gravity
  • Handy attachment points for monitors and camera accessories
  • Handles can be removed quickly if needed
  • Elegant contoured design
  • Machined, anodized aluminum construction
  • Cable-management clasp

 

Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.
  • 7" Multiformat 1600x600 Resolution
  • 3G-SDI Input with Loop-Through
  • Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
  • Precision white balance and gamma
  • Red/Green/Blue Mono Channel
  • Glasses-Free Display!
 

Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.
  • (2) HD/SD SDI Inputs
  • 1 Rck out
  • Weight: 8.07lbs (3660g)
  • Dimensions: 297mm x 255mm x 70mm
 

JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.
  • 46" Passive 3D Monitor
  • High picture quality 3D display with eye-friendly circular polarizing technology
  • 1920 x 1080 LCD panel with Xpol¨ glass filter
  • Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
  • Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
  • Can be used at anytime for conventional 2D display
 

Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.
  • 9" Multiformat 1280 x 768 Resolution
  • 15:9 Aspect Ratio
  • W-LED Backlight
  • Focus Assist Option
  • Accepts HDMI/HD-SDI/Analog inputs
 

TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.
  • 5.6" Multiformat 1280 x 800 Resolution
  • Power using Panasonic or Canon batteries
  • Accepts HDMI/HD-SDI/Analog inputs
 

Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.
  • 17" Multiformat 1280 x 768 Resolution
  • Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
  • Marker and blue-only function
  • Durable, die cast aluminum frame
  • Quiet operation (No cooling fan)
 

Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
 

 

64GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
 

128GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
 

256GB 1.8" SSD MEDIA CARD

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
   

Red RAID Drive - 320GB

An efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
 

Red RAID Drive - 640GB

An even more efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
 

Red CF Card - 16GB

The workhorse of digital cinema media.
  • RED's own cards, engineered to handle the tremendous amount of data 4k footage comprises.
  • Stores 8-10 min of footage, or roughly 800' of film
 

 

Tiffen 4x5.65 Filter
 

Tiffen 4x5.65 Clear Filter
 

Tiffen 4x5.65 HD Classic Soft 1/8
 

Tiffen 4x5.65 HD Classic Soft 1/4
 

Tiffen 4x5.65 HD Classic Soft 1/2
 

Tiffen 4x5.65 HD Classic Soft 1
 

Tiffen 4x5.65 ND 0.3 Filter
 

Tiffen 4x5.65 ND 0.6 Filter
 

Tiffen 4x5.65 ND 0.9 Filter
 

Tiffen 4x5.65 ND 1.2 Filter
 

Tiffen 4x5.65 ND 0.3 Soft Edge Grad Filter
 

Tiffen 4x5.65 ND 0.6 Soft Edge Grad Filter
 

Tiffen 4x5.65 ND 0.9 Soft Edge Grad Filter
 

Tiffen 4x5.65 ND 1.2 Soft Edge Grad Filter
 

Schneider 138mm Round Polarizer Filter
 

Schneider 138mm Diopter +1/2
 

Schneider 138mm Diopter +1
 

Schneider 138mm Diopter +2
 

Schneider 138mm Split Diopter +1/2
 

Schneider 138mm Split Diopter +1
 

Schneider 138mm Split Diopter +2
 

Tiffen 105C ND 0.3 Filter
 

Tiffen 105C ND 0.6 Filter
 

Tiffen 105C ND 0.9 Filter
 

114mm - 4.5" Adapter Ring

Clamp-on adapter to use 4.5" filters with Angenieux Optimo Lenses.
  • Allows use of 4.5" filters when the 16-42mm Optimo lenses are in 3D configuration.