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Epic Base Package
An Epic Camera in a small case. Lift 5 lbs. Build in 5 minutes. Shoot 5k. The Epic is available today.
 

With all of the necessities for a compact shoot in mind, the Epic Base Package starts with an Epic-M Camera, and adds the essential accessories.

Outfitted with a Full Metal Jacket custom top plate for mounting accessories and two 128GB Redmag SSD cards, the Epic Base Package is ideal for lightweight Steadicam shoots, sit-down interviews, and documentary filming.

We've also included the brand-new Red Touch 5-inch LCD monitor, which allows you to access the Epic's very intuitive graphic user interface.

At a budget-conscious price point, the Epic Base Package is the barebones system to shoot affordable 5K cinema. Add on your lenses, and you're good to go!

Base PLUS Package Additions

EPIC BASE PACKAGE
CAMERA BODY
SUPPORT
MONITORING
MEDIA
POWER
  • 4x Batteries + Dual Quick-charger
  • AC Power Supply
BASE PLUS ADDITIONS

 

RED 18mm T1.8 Prime Lens

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.45lbs
  • Arri PL Mount
 

RED 25mm T1.8 Prime Lens

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.16lbs
  • Arri PL Mount
 

RED 35mm T1.8 Prime Lens

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.07lbs
  • Arri PL Mount
 

RED 50mm T1.8 Prime Lens

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 152.4mm (6") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.53lbs
  • Arri PL Mount
 

RED 85mm T1.8 Prime Lens

  • T1.8-T22 range
  • 609.6mm (24") Close Focus From Sensor
  • 457.2mm (18") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.2lbs
  • Arri PL Mount
 

RED 100mm T1.8 Prime Lens

  • T1.8-T22 range
  • 762mmm (30") Close Focus From Sensor
  • 609.6mm (24") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.39lbs
  • Arri PL Mount
 

RED 17-50mm T2.9 Zoom Lens

  • T2.9-T22 range
  • 4" Close Focus From Lens Front
  • Weighs 3.2lbs
  • Arri PL Mount
 

Angenieux Optimo 16-42mm T2.8 Zoom Lens

  • Opens up to T2.8
  • 24" Close Focus From Sensor
  • Weighs 4.2lbs
  • Arri PL Mount
 

Angenieux Optimo 30-80mm T2.8 Zoom Lens

  • Opens up to T2.8
  • 24" Close Focus From Sensor
  • Weighs 4.2lbs
  • Arri PL Mount
 

Angenieux Optimo 45-120mm T2.8 Zoom Lens

  • Opens up to T2.8
  • Weighs 4.3lbs
  • Arri PL Mount
 

Angenieux Optimo 24-290mm T2.8 Zoom Lens

  • Opens up to T2.8
  • No breathing or ramping
  • 32 degree focus rotation with over 25 witness marks
  • 48" Close Focus From Sensor
  • Weighs 4.25lbs
  • Arri PL Mount
 

 

Arri FF4 Follow Focus

Surgically control camera focus, smoothly and efficiently.
  • Compatible with 19mm, 15mm or 15mm-lightweight rods.
  • Includes whip, speed crank, and dumb-side wheel
  • No "play" gearing
  • Interchangeable pitch gears
  • Quick release mounting
 

Arri MFF-2 Follow Focus System

Surgically control camera focus, smoothly and efficiently.
  • Compatible with 15mm-lightweight rods.
  • Includes whip, speed crank
  • No "play" gearing
  • Interchangeable pitch gears
  • Quick release mounting
 

Redrock microTape

Redrock microTape real-time range finder for focus assist.
  • Can be used safely on any type of subject (objects, animals, people, etc)
  • Can be mounted directly on the camera rig
 

Cinetape Measure System

Precisely measure the changing distance between your actor and the camera.
  • Continuous camera to subject measurement
  • Ultra-sonic technology is invisible to camera
 

Preston Microforce Digital 2

Directly drives digital motors.
  • Programmable soft stops
  • Speed control knob with a digital readout
  • Automatic lens calibration
  • Electronic limit setting
  • Bright led displays of zoom position and speed setting
  • Power Requirements: 12 - 28 VDC
 

CMOTION Cvolution Wireless Lens Control System

Achieve and repeat the perfect pull, time and time again.
  • Allows control of up to 8 motors
  • Synchronized focus, iris, zoom and 3D capable
  • 32 points of lens matching per scale
  • Synchronized camera start/stop
  • IO and convergence control option
  • Wireless picture option
  • Intelligent lens data display option
  • Fps and depth of field ramping option
  • Autofocus option with cfinder or cinetape
  • Daufenbach Camera owns the first system to be sold in America!
 

 

Arri LMB-15 Matte Box

New lightweight model; same ARRI durability.
  • (3) 4" x 5.65" stages
  • Clip-On mount, allows for use with the AF-100
 

Arri MB18 Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (3) 4x5.65"
  • Swing away design
 

Arri MB19 Matte Box

Ideal for smaller DSLR cameras.
  • (3) 4x5.65"- 2 rotating, 1 fixed
  • (1) 138mm circular filter tray
  • Can mount with lightweight 15mm support rods or studio 19mm support rods
  • Swing away design
 

Arri MB20II Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (3) fully rotatable 4" x 5.65" filter stages
  • (1) 138mm circular filter tray
  • Swing away rod mount
   
 
 
 
 
 
 
 

 

Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.
  • 7" Multiformat 1600x600 Resolution
  • 3G-SDI Input with Loop-Through
  • Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
  • Precision white balance and gamma
  • Red/Green/Blue Mono Channel
  • Glasses-Free Display!
 

Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.
  • (2) HD/SD SDI Inputs
  • 1 Rck out
  • Weight: 8.07lbs (3660g)
  • Dimensions: 297mm x 255mm x 70mm
 

JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.
  • 46" Passive 3D Monitor
  • High picture quality 3D display with eye-friendly circular polarizing technology
  • 1920 x 1080 LCD panel with Xpol¨ glass filter
  • Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
  • Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
  • Can be used at anytime for conventional 2D display
 

Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.
  • 9" Multiformat 1280 x 768 Resolution
  • 15:9 Aspect Ratio
  • W-LED Backlight
  • Focus Assist Option
  • Accepts HDMI/HD-SDI/Analog inputs
 

SONY PVM1741 OLED 17-inch Monitor

Delivers a high quality picture.
  • External remote control capability for input/output signal selection
  • Ethernet (10BASE-T/100BASETX) connection
 

TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.
  • 5.6" Multiformat 1280 x 800 Resolution
  • Power using Panasonic or Canon batteries
  • Accepts HDMI/HD-SDI/Analog inputs
 

Panasonic 8" BT-LH80WP Monitor

This is a field monitor.
  • 800 x 480 pixel WVGA resolution panel
  • Displays 4:3 aspect ratio images
  • RS-232C and GPI remote control terminals
 

Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.
  • 17" Multiformat 1280 x 768 Resolution
  • Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
  • Marker and blue-only function
  • Durable, die cast aluminum frame
  • Quiet operation (No cooling fan)
 

Wevi Wireless HD Video Transmission

Free your operator from the cables binding them to the director/client monitor
  • Multiple video formats and profiles including 1080i/23.98PsF
  • Automatically detects between HD-SDI and SD-SDI signals
  • Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
  • 2-channel embedded audio ensures no signal interference for complete audio/video synchronization
  • Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries
  • Selection of 4 manual channel frequencies--ideal if operating multiple systems in close proximity
 

Red EVF

Remove distractions with a private view into the world of your film.
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Adjustable diopter
 

Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
 

Zacuto Zwivel EVF Mount

Heavy duty mount for the EVF.
 

Element Technica EVF Mount

Heavy duty mount for the EVF.
 

 

O'Connor 1030D Fluid Head (Mitchell)

Designed for a seamless transition from heavier to lighter camera setups.
  • 100mm Mitchell Base
  • Capacity: 30 lbs (13.6 kg)
  • +/- 90 Degree Tilt Range
  • Stepless, ultra-smooth pan and tilt fluid drag
 

O'Connor 2060HD Fluid Head (Mitchell)

Designed to give you the ultimate control and stability over your camera moves.
  • 150mm Mitchell Base
  • Capacity: 83lbs (37.7kg)
  • +/- 90 Degree Tilt Range
  • O'Connor's patented sinusoidal counterbalance system
  • Stepless, ultra-smooth pan & tilt fluid drag
 

O'Connor 120EX Fluid Head (Mitchell)

Super-duty and ultra smooth.
  • Collapsible crank knob and digital readout make counterbalancing the payload easy
  • New sideload mechanism features a push-and-turn knob for precise adjustment of the fore/aft platform
  • Capacity: 240 lbs. (109 kg)
  • 150mm Mitchell Base
  • +/- 90 Degree Tilt Range
 

Sachtler Video 15 SB Fluid Head

Self-illuminated Touch Bubbles for easy leveling.
  • Supports 2-35 lbs
  • 100mm bowl fluid head
  • Weight is 15.6 lbs
 

Sachtler 7+7 Studio II Fluid Head

  • Heavy Duty construction
  • Capacity: 110 pounds
  • +/- 75 Degree Tilt Range
 

Ronford-Baker Standards (Mitchell)

Designed for full studio, video, and all 35mm and 65mm film cameras.
  • Minimum Height: 3'
  • Maximum Height: 5' 6"
  • Weight: 22 lbs
  • Mitchell Mount
 

Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.
  • Minimum Height: 1' 8"
  • Maximum Height: 3'
  • Weight 11lbs
  • Mitchell Mount
 

Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.
  • Weight: 22 pounds (10Kgs)
  • Made from High Tensile Alloy
  • Folds flat and locks for easy transport and storage.
 

Hi-Hat (Mitchell)

Durable support for low-angle shooting.
  • Hight: 4.5"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.
  • Height: 1.75"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

CineSaddle

The CineSaddle provides a stable base that supports the camera.
  • Dimensions: 12" x 12"
  • Weight: 3 lbs
 

Element Technica Mantis Handheld System

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.
  • Dovetail interface allows quick setup; 20 seconds from tripod to hand held
  • Multi axis adjustment allows shoulder pad to conform to any shoulder
  • Fore/aft linear adjustment shoulder pad
  • Designed specifically for Arriflex style Hybrid bridge plates (435, Arricam, Moviecam, Phantom, etc.)
  • Telescopic and rotating handle extensions
  • Mounting point for ViewFactor Origo remote start/stop button
 

Moose Bars

Double handgrip stabilization system for video - HD or RED cameras
  • High tensile aluminum
  • Soft foam grip handles
    • *Rods not included
     

Filmtools Junior Camera / DIT Cart
 

Yaeger Senior Camera Carts

A versatile and durable mobile camera station.
  • Built-in Mitchell mount
  • On-cart dovetail mount
  • Collapses into "Case Form" for easy transporting
  • Includes battery powered clamp-on work light
  • Has two baby spuds for monitor mounting
  • Heavy duty rubber wheels for on-location filming
  • Welded steel joints, for maximum weight capacity
 

Rubbermaid Camera Cart

A lightweight cart for easy maneuvering of camera gear.
  • Pneumatic swivel wheels with break-locks
  • Lightweight plastic body for easy off loading from a vehicle without a lift-gate
 

 

64GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
 

128GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
 

256GB 1.8" SSD MEDIA CARD

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
 

 

Tiffen 4x5.65 Filter
 

Tiffen 4x5.65 Clear Filter
 

Tiffen 4x5.65 Hot Mirror Filter
 

Tiffen 4x5.65 Rotating Polarizer Filter
 

Tiffen 4x5.65 HD Classic Soft 1/8
 

Tiffen 4x5.65 HD Classic Soft 1/4
 

Tiffen 4x5.65 HD Classic Soft 1/2
 

Tiffen 4x5.65 HD Classic Soft 1
 

Tiffen 4x5.65 ND 0.3 Filter
 

Tiffen 4x5.65 ND 0.6 Filter
 

Tiffen 4x5.65 ND 0.9 Filter
 

Tiffen 4x5.65 ND 1.2 Filter
 

Tiffen 4x5.65 ND 0.3 Soft Edge Grad Filter
 

Tiffen 4x5.65 ND 0.6 Soft Edge Grad Filter
 

Tiffen 4x5.65 ND 0.9 Soft Edge Grad Filter
 

Tiffen 4x5.65 ND 1.2 Soft Edge Grad Filter
 

Tiffen 6.6x6.6 ND 0.3 Filter
 

Tiffen 6.6x6.6 ND 0.6 Filter
 

Tiffen 6.6x6.6 ND 0.9 Filter
 

Tiffen 6.6x6.6 ND 1.2 Filter
 

Tiffen 6.6x6.6 Clear Filter
 

Schneider 138mm Round Polarizer Filter
 

Schneider 138mm Diopter +1/2
 

Schneider 138mm Diopter +1
 

Schneider 138mm Diopter +2
 

Schneider 138mm Split Diopter +1/2
 

Schneider 138mm Split Diopter +1
 

Schneider 138mm Split Diopter +2
 

Tiffen 4.5" Round ND 0.3 Filter
 

Tiffen 4.5" Round ND 0.6 Filter
 

Tiffen 4.5" Round ND 0.9 Filter
 

114mm - 4.5" Adapter Ring

Clamp-on adapter to use 4.5" filters with Angenieux Optimo Lenses.
  • Allows use of 4.5" filters when the 16-42mm Optimo lenses are in 3D configuration.
 

Tiffen 105C ND 0.3 Filter
 

Tiffen 105C ND 0.6 Filter
 

Tiffen 105C ND 0.9 Filter