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As a rental house, we see a lot of quotes from our competitors. Time and time again, we're amazed to see over half of the camera budget being dedicated to lenses. With the RED Pro Primes, you get the optical sharpness equivalent of Zeiss Ultra Primes at a fraction of the rental cost.
The RED Pro Primes feature a long focus throw, allowing more accurate precision in pulling adjustment. With calibrated focus marks, the guessing on intermediate focal lengths is completely eliminated. The RED Pro Primes also open up to T1.8, wider than Cooke S4's and Ultra Primes.
The RED Pro Primes are the product of RED's world-class digital cinema engineering, and thus are specifically designed for digital cinema: light entering the lens will hit the camera sensor straight on, instead of at an angle.
With a long focus throw, allowing more accurate precision in zoom and focus pulling, the 17-50mm RED Pro Zoom can also be used as a variable prime. With RED's calibrated focus marks, the guessing on intermediate focal lengths is eliminated.
The 17-50mm RED Pro Zoom is the product of RED's world-class digital cinema engineering, and thus specifically designed for digital cinema: light entering the lens will hit the camera sensor straight on, instead of at an angle.
Arming yourself with the 17-50mm RED Pro Zoom will exponentially save your production time, energy, and money.
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Daufenbach Camera, LLC 320 North Damen Avenue, Suite D201 Chicago, IL 60612 Main: 312-226-0042 Fax: 312-284-5892 |
Providing HD, RED and 3D Equipment to the Midwest and beyond.
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