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RAW TIMES TWO. Dual RED One cameras and everything you need to add to a 3D rig to create beautiful stereo images.
 
What's so good about it?

The Daufenbach 3D RED Package starts with 2 RED Cameras and adds the essential accessories for stereo shooting.

With a generous ten 16GB Compact Flash Cards for media recording, this package is perfect for shooting 4K in 3D.

Check out this photo of our Quasar Rig in RED configuration!

RED ONE 3D PACKAGE
CAMERA BODIES
  • 2x Red One M-X Camera Bodies
  • 2x Element Technica HD-SDI Breakout Box
  • 2x Element Technica RED 3D Interface Plates
  • 2x 5.6" LCD On-Board Monitor
  • 2x AC Power Supply
  • 10x 16GB Compact Flash Cards

Not everything you're look for? Use the section below to add additional gear.

 

Quasar 3D Beamsplitter Base Package

  • ET Quasar 3D Rig
  • ET Quasar 3D Beamsplitter Mirrorbox
  • ET Wireless I/A + Convergence Control
 

Quasar 3D Beamsplitter Production Package

  • ET Quasar 3D Rig
  • ET Quasar 3D Beamsplitter Mirrorbox
  • ET Wireless I/A + Convergence Control
  • CMotion CVolution Wireless Focus System
  • 46" JVC 3D 1080P Monitor
  • 12" Transvideo 3D Stereography Monitor
  • 3x VCLX Block Batteries
  • O'Connor 120EX Fluid Head (Mitchell Base)
  • Hi-Hat
 

CC3D Beamsplitter Kit

  • CC3D Beamsplitter Mirror Box
  • CC3D Camera and Accessory Breakout Box
  • CC3D Wireless I/A and Convergence Control
 

 

Cine-tal Davio Multiplexer

A versatile solution for 3D stereoscopic production
  • Production, post-production, DI, color grading, visual effects
  • 3D stereoscopic signal processing and calibration
  • Create and convert 3D stereo formats (side-by-side, over/under, line interlaced, pixel mesh, frame toggle, anaglyphic)
  • Independent color processing for left and right channels
 

AJA Gen10 Sync Box

Sync multiple cameras for 3D and visual effects
  • HD Tri-level sync generation
  • Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  • Assignable in two groups to either HD or SD (4 BNCs: Outputs 1 through 4, 2 BNCs: Outputs 5 through 6)
  • Power Supply Range: 5-18VDC
  • External Dip Switch Configuration
 

AJA HI5 HD-SDI to HDMI

Split your camera signal allowing for multiple client/director monitors.
  • SDI or HD-SDI to HDMI for driving HDMI monitors
  • Output HDMI with embedded audio, 24-bit (selectable by internal jumper: 2 or 8 channels)
  • Audio in/out also 2 channel RCA-style outputs at -10dBV (nominal), Ch. 1 and 2
  • 1 Looping SDI/HD-SDI output of the SDI input (for "Daisy Chain")
  • Input SMPTE-259/274/292/296 SDI/HD-SDI, 1 x BNC
  • Size: 4.6" x 2.4" x 1" (117 x 61 x 25mm)
 

AJA HD5DA 1x4 HD-SDI Distribution Amplifier

The HD5DA is a miniature, 1x4 HD-SDI/SDI distribution amplifier/repeater
  • Auto Input
  • Small Footprint
  • Four seperately buffered HD-SDI outputs
  • Power via V-Mount or Gold Mount
 

BlackMagic SDI to HDMI

More options for splitting your camera signal, to allow for multiple client/director monitors.
  • SD, HD and SDI (3 Gb/s) video input
  • 2 channels of professional balanced analog or digital audio with standard 1/4 inch jack connections
  • SDI Redundant input Automatically switches over if main SDI input is lost
  • Auto detection of HD or standard definition SDI inputs
 

AJA KiPRO

A tapeless video recording device that creates high-quality Apple ProRes 422 QuickTime files on a computer-friendly Storage Module.
  • SD and HD-SDI (1xBNC), HDMI Digital Inputs and Outputs
  • SD/HD Component (3xBNCS) Analog Inputs adn Outouts
  • Embeded digital audio and Anolog Dual XLR audio inputs and outputs
  • Network capable
  • LTC timecode input and output via BNC
  • Records to all flavors of ProRess
 

Denecke SB-T Timecode Box

Efficiently read, generate and jam timecode.
  • Input: -15dB @ 4.7K; 1/80 mini phone jack
  • TCXO Crystal: +/- 1PPM @ -30¼ to +75¼ C
  • Battery Power: 3 Alkaline Batteries Battery Life: 48+ Hours
  • External Power: 5.7v to 16v DC
  • 2 Video Outputs: Composite: (PAL and NSTC) and Trilevel: (All 1920 x 1080 Formats and 1280 x 720 formats)
  • Size: 4.4750 x 2.9000 x 1.0500
  • Weight: .750 pounds (with batteries)
 

 

RED 18mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.45lbs
  • Arri PL Mount
 

RED 25mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.16lbs
  • Arri PL Mount
 

RED 35mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.07lbs
  • Arri PL Mount
 

RED 50mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 152.4mm (6") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.53lbs
  • Arri PL Mount
 

RED 85mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 609.6mm (24") Close Focus From Sensor
  • 457.2mm (18") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.2lbs
  • Arri PL Mount
 

RED 100mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 762mmm (30") Close Focus From Sensor
  • 609.6mm (24") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.39lbs
  • Arri PL Mount
 

Angenieux Optimo 16-42mm T2.8 Zoom Lens (Stereo Pair)

  • Opens up to T2.8
  • 24" Close Focus From Sensor
  • Weighs 4.2lbs
  • Arri PL Mount
 

Angenieux Optimo 30-80mm T2.8 Zoom Lens (Stereo Pair)

  • Opens up to T2.8
  • 24" Close Focus From Sensor
  • Weighs 4.2lbs
  • Arri PL Mount
 

 

Redrock microTape

Redrock microTape real-time range finder for focus assist.
  • Can be used safely on any type of subject (objects, animals, people, etc)
  • Can be mounted directly on the camera rig
 

Cinetape Measure System

Precisely measure the changing distance between your actor and the camera.
  • Continuous camera to subject measurement
  • Ultra-sonic technology is invisible to camera
 

 

Anton Bauer VCLX Cine Block Battery

Exponentially more powerful and longer lasting super-duty batteries.
  • Size: 10.00 x 12.75 x 5.50 inch (25.40 x 32.39 x 13.97 cm)
  • Weight: 25.0 lbs (11.3 kg)
  • Power Outputs: (2) 4p XLR for 14.4v and (1) 3p XLR for 28v
  • Provides Dual simultaneous outputs (20 amps@ 14.4v ; 12 amps @28v)
  • Realtime life display
 

Frezzi Universal Juicebox Power Supply

The Universal Juicebox is the most powerful and versatile AC power supply in the industry.
  • Delivers both 14.4v and 28v simultaneously
  • Ideal for use with a variety of cameras, monitors, lights and other equipment
 

 

O'Connor 120EX Fluid Head (Mitchell)

Super-duty and ultra smooth.
  • Collapsible crank knob and digital readout make counterbalancing the payload easy
  • New sideload mechanism features a push-and-turn knob for precise adjustment of the fore/aft platform
  • Capacity: 240 lbs. (109 kg)
  • 150mm Mitchell Base
  • +/- 90 Degree Tilt Range
 

Ronford-Baker Standards (Mitchell)

Designed for full studio, video, and all 35mm and 65mm film cameras.
  • Minimum Height: 3'
  • Maximum Height: 5' 6"
  • Weight: 22 lbs
  • Mitchell Mount
 

Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.
  • Minimum Height: 1' 8"
  • Maximum Height: 3'
  • Weight 11lbs
  • Mitchell Mount
 

Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.
  • Weight: 22 pounds (10Kgs)
  • Made from High Tensile Alloy
  • Folds flat and locks for easy transport and storage.
 

Hi-Hat (Mitchell)

Durable support for low-angle shooting.
  • Hight: 4.5"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.
  • Height: 1.75"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

Yaeger Senior Camera Carts

A versatile and durable mobile camera station.
  • Built-in Mitchell mount
  • On-cart dovetail mount
  • Collapses into "Case Form" for easy transporting
  • Includes battery powered clamp-on work light
  • Has two baby spuds for monitor mounting
  • Heavy duty rubber wheels for on-location filming
  • Welded steel joints, for maximum weight capacity
 

Rubbermaid Camera Cart

A lightweight cart for easy maneuvering of camera gear.
  • Pneumatic swivel wheels with break-locks
  • Lightweight plastic body for easy off loading from a vehicle without a lift-gate
 

 

Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.
  • 7" Multiformat 1600x600 Resolution
  • 3G-SDI Input with Loop-Through
  • Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
  • Precision white balance and gamma
  • Red/Green/Blue Mono Channel
  • Glasses-Free Display!
 

Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.
  • (2) HD/SD SDI Inputs
  • 1 Rck out
  • Weight: 8.07lbs (3660g)
  • Dimensions: 297mm x 255mm x 70mm
 

JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.
  • 46" Passive 3D Monitor
  • High picture quality 3D display with eye-friendly circular polarizing technology
  • 1920 x 1080 LCD panel with Xpol¨ glass filter
  • Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
  • Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
  • Can be used at anytime for conventional 2D display
 

Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.
  • 9" Multiformat 1280 x 768 Resolution
  • 15:9 Aspect Ratio
  • W-LED Backlight
  • Focus Assist Option
  • Accepts HDMI/HD-SDI/Analog inputs
 

TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.
  • 5.6" Multiformat 1280 x 800 Resolution
  • Power using Panasonic or Canon batteries
  • Accepts HDMI/HD-SDI/Analog inputs
 

Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.
  • 17" Multiformat 1280 x 768 Resolution
  • Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
  • Marker and blue-only function
  • Durable, die cast aluminum frame
  • Quiet operation (No cooling fan)
 

Wevi Wireless HD Video Transmission

Free your operator from the cables binding them to the director/client monitor
  • Multiple video formats and profiles including 1080i/23.98PsF
  • Automatically detects between HD-SDI and SD-SDI signals
  • Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
  • 2-channel embedded audio ensures no signal interference for complete audio/video synchronization
  • Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries
  • Selection of 4 manual channel frequencies--ideal if operating multiple systems in close proximity
 

Red EVF

Remove distractions with a private view into the world of your film.
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Adjustable diopter
 

Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
 

 

Red RAID Drive - 320GB

An efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
 

Red RAID Drive - 640GB

An even more efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
 

Red CF Card - 16GB

The workhorse of digital cinema media.
  • RED's own cards, engineered to handle the tremendous amount of data 4k footage comprises.
  • Stores 8-10 min of footage, or roughly 800' of film
 

 

Tiffen 4x5.65 Filter

 

Tiffen 4x5.65 Clear Filter

 

Tiffen 4x5.65 HD Classic Soft 1/8

 

Tiffen 4x5.65 HD Classic Soft 1/4

 

Tiffen 4x5.65 HD Classic Soft 1/2

 

Tiffen 4x5.65 HD Classic Soft 1

 

Tiffen 4x5.65 ND 0.3 Filter

 

Tiffen 4x5.65 ND 0.6 Filter

 

Tiffen 4x5.65 ND 0.9 Filter

 

Tiffen 4x5.65 ND 1.2 Filter

 

Tiffen 4x5.65 ND 0.3 Soft Edge Grad Filter

 

Tiffen 4x5.65 ND 0.6 Soft Edge Grad Filter

 

Tiffen 4x5.65 ND 0.9 Soft Edge Grad Filter

 

Tiffen 4x5.65 ND 1.2 Soft Edge Grad Filter

 

Schneider 138mm Round Polarizer Filter

 

Schneider 138mm Diopter +1/2

 

Schneider 138mm Diopter +1

 

Schneider 138mm Diopter +2

 

Schneider 138mm Split Diopter +1/2

 

Schneider 138mm Split Diopter +1

 

Schneider 138mm Split Diopter +2

 

Tiffen 105C ND 0.3 Filter

 

Tiffen 105C ND 0.6 Filter

 

Tiffen 105C ND 0.9 Filter

 

114mm - 4.5" Adapter Ring

Clamp-on adapter to use 4.5" filters with Angenieux Optimo Lenses.
  • Allows use of 4.5" filters when the 16-42mm Optimo lenses are in 3D configuration.
 

Element Technica Quasar 3D Large Rain Cover and Case

  • 100% waterproof fabric extends for different lenses
  • Clear vinyl windows allow access to displays and the ability to view the lens