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Take the RED Base Package, upgrade it for the narrative filmmaker, and you have the comprehensive RED Cinema Package. Ideal for more aesthetic storytelling, the Cinema Package has a well-rounded collection of accessories and support.

Supporting the camera are all of the industry ironclad standards: an O'Connor Head, a Ronford-Baker Tripod, an ARRI Mattebox and Follow Focus, and the Mantis Handheld System.

Because downloading the footage from the 16GB Compact Flash cards can eat up valuable time on set, we've included two 640 GB RED Raid Drives that mount directly onto the camera.

To free up the LCD so your AC can pull focus, we've also added the RED EVF to the list. Finally, we'll throw in a Tiffen Filter Set, a Round Polarizer, and a Hi-Hat for good measure. Here's to the perfect shoot!

Compare RED Packages

RED ONE CINEMA PACKAGE
CAMERA BODY
FOLLOW FOCUS
MATTEBOX
MONITORING
MEDIA
POWER
SUPPORT
FILTERS
  • Tiffen 4x5.65 Neutral Density (3, 6, 9 and 1.2)
  • Tiffen 4x5.65 IR Filter
  • Tiffen 4x5.65 Clear Filter
  • Schneider 138mm Round Polarizer

 

RED 18mm T1.8 Prime Lens

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.45lbs
  • Arri PL Mount
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RED 25mm T1.8 Prime Lens

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.16lbs
  • Arri PL Mount
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RED 35mm T1.8 Prime Lens

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.07lbs
  • Arri PL Mount
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RED 50mm T1.8 Prime Lens

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 152.4mm (6") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.53lbs
  • Arri PL Mount
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RED 85mm T1.8 Prime Lens

  • T1.8-T22 range
  • 609.6mm (24") Close Focus From Sensor
  • 457.2mm (18") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.2lbs
  • Arri PL Mount
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RED 100mm T1.8 Prime Lens

  • T1.8-T22 range
  • 762mmm (30") Close Focus From Sensor
  • 609.6mm (24") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.39lbs
  • Arri PL Mount
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RED 17-50mm T2.9 Zoom Lens

  • T2.9-T22 range
  • 4" Close Focus From Lens Front
  • Weighs 3.2lbs
  • Arri PL Mount
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Angenieux Rouge 16-42mm T2.8 Zoom Lens

  • Opens up to T2.8
  • 24" Close Focus From Sensor
  • Weighs 4.2lbs
  • Arri PL Mount
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Angenieux Optimo 24-290mm T2.8 Zoom Lens

  • Opens up to T2.8
  • No breathing or ramping
  • 32 degree focus rotation with over 25 witness marks
  • 48" Close Focus From Sensor
  • Weighs 24.25lbs
  • Arri PL Mount
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TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.
  • 5.6" Multiformat 1280 x 800 Resolution
  • Power using Panasonic or Canon batteries
  • Accepts HDMI/HD-SDI/Analog inputs
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Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.
  • 7" Multiformat 1600x600 Resolution
  • 3G-SDI Input with Loop-Through
  • Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
  • Precision white balance and gamma
  • Red/Green/Blue Mono Channel
  • Glasses-Free Display!
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Panasonic BT-LH900A 8.4" Monitor

A lightweight field monitor for any application.
  • 8.4" Multiformat 1024 x 768 Resolution
  • Waveform picture-in-picture in 16:9 mode
  • Detachable Control Panel allows for multiple mounting points
  • Power using AC or Anton Bauer batteries
  • 4.4 lbs (2 kg)
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Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.
  • 9" Multiformat 1280 x 768 Resolution
  • 15:9 Aspect Ratio
  • W-LED Backlight
  • Focus Assist Option
  • Accepts HDMI/HD-SDI/Analog inputs
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Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.
  • (2) HD/SD SDI Inputs
  • 1 Rck out
  • Weight: 8.07lbs (3660g)
  • Dimensions: 297mm x 255mm x 70mm
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Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.
  • 17" Multiformat 1280 x 768 Resolution
  • Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
  • Marker and blue-only function
  • Durable, die cast aluminum frame
  • Quiet operation (No cooling fan)
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JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.
  • 46" Passive 3D Monitor
  • High picture quality 3D display with eye-friendly circular polarizing technology
  • 1920 x 1080 LCD panel with Xpol¨ glass filter
  • Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
  • Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
  • Can be used at anytime for conventional 2D display
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Wevi Wireless HD Video Transmission

Free your operator from the cables binding them to the director/client monitor
  • Multiple video formats and profiles including 1080i/23.98PsF
  • Automatically detects between HD-SDI and SD-SDI signals
  • Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
  • 2-channel embedded audio ensures no signal interference for complete audio/video synchronization
  • Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries
  • Selection of 4 manual channel frequencies--ideal if operating multiple systems in close proximity
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Red EVF

Remove distractions with a private view into the world of your film.
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Adjustable diopter
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Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
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Zacuto Zwivel EVF Mount

Heavy duty mount for the EVF.
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Element Technica EVF Mount

Heavy duty mount for the EVF.
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Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.
  • Minimum Height: 1' 8"
  • Maximum Height: 3'
  • Weight 11lbs
  • Mitchell Mount
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Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.
  • Weight: 22 pounds (10Kgs)
  • Made from High Tensile Alloy
  • Folds flat and locks for easy transport and storage.
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Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.
  • Height: 1.75"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
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Yaeger Senior Camera Carts

A versatile and durable mobile camera station.
  • Built-in Mitchell mount
  • On-cart dovetail mount
  • Collapses into "Case Form" for easy transporting
  • Includes battery powered clamp-on work light
  • Has two baby spuds for monitor mounting
  • Heavy duty rubber wheels for on-location filming
  • Welded steel joints, for maximum weight capacity
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Rubbermaid Camera Cart

A lightweight cart for easy maneuvering of camera gear.
  • Pneumatic swivel wheels with break-locks
  • Lightweight plastic body for easy off loading from a vehicle without a lift-gate
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Red RAID Drive - 320GB

An efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
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Red RAID Drive - 640GB

An even more efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
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Red CF Card - 16GB

The workhorse of digital cinema media.
  • RED's own cards, engineered to handle the tremendous amount of data 4k footage comprises.
  • Stores 8-10 min of footage, or roughly 800' of film
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