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The Daufenbach Scarlet 3D Package starts with 2 Scarlet Cameras and adds the essential accessories for stereo shooting.

With a generous six 128GB SSD cards for media recording, this package is perfect for shooting 5K or 4K in 3D.

SCARLET 3D PACKAGE
CAMERA BODIES

 

RED 18mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.45lbs
  • Arri PL Mount
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RED 25mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.16lbs
  • Arri PL Mount
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RED 35mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 101.6mm (4") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 6.07lbs
  • Arri PL Mount
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RED 50mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 304.8mm (12") Close Focus From Sensor
  • 152.4mm (6") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.53lbs
  • Arri PL Mount
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RED 85mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 609.6mm (24") Close Focus From Sensor
  • 457.2mm (18") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.2lbs
  • Arri PL Mount
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RED 100mm T1.8 Prime Lens (Stereo Pair)

  • T1.8-T22 range
  • 762mmm (30") Close Focus From Sensor
  • 609.6mm (24") Close Focus From Lens Front
  • 110mm Lens Diameter
  • Weighs 4.39lbs
  • Arri PL Mount
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Angenieux Rouge 16-42mm T2.8 Zoom Lens (Stereo Pair)

  • Opens up to T2.8
  • 24" Close Focus From Sensor
  • Weighs 4.2lbs
  • Arri PL Mount
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CMOTION Cvolution Wireless Lens Control System

Achieve and repeat the perfect pull, time and time again.
  • Allows control of up to 8 motors
  • Synchronized focus, iris, zoom and 3D capable
  • 32 points of lens matching per scale
  • Synchronized camera start/stop
  • IO and convergence control option
  • Wireless picture option
  • Intelligent lens data display option
  • Fps and depth of field ramping option
  • Autofocus option with cfinder or cinetape
  • Daufenbach Camera owns the first system to be sold in America!
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Cinetape Measure System

Precisely measure the changing distance between your actor and the camera.
  • Continuous camera to subject measurement
  • Ultra-sonic technology is invisible to camera
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TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.
  • 5.6" Multiformat 1280 x 800 Resolution
  • Power using Panasonic or Canon batteries
  • Accepts HDMI/HD-SDI/Analog inputs
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Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.
  • 7" Multiformat 1600x600 Resolution
  • 3G-SDI Input with Loop-Through
  • Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
  • Precision white balance and gamma
  • Red/Green/Blue Mono Channel
  • Glasses-Free Display!
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Panasonic BT-LH900A 8.4" Monitor

A lightweight field monitor for any application.
  • 8.4" Multiformat 1024 x 768 Resolution
  • Waveform picture-in-picture in 16:9 mode
  • Detachable Control Panel allows for multiple mounting points
  • Power using AC or Anton Bauer batteries
  • 4.4 lbs (2 kg)
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Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.
  • 9" Multiformat 1280 x 768 Resolution
  • 15:9 Aspect Ratio
  • W-LED Backlight
  • Focus Assist Option
  • Accepts HDMI/HD-SDI/Analog inputs
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Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.
  • (2) HD/SD SDI Inputs
  • 1 Rck out
  • Weight: 8.07lbs (3660g)
  • Dimensions: 297mm x 255mm x 70mm
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Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.
  • 17" Multiformat 1280 x 768 Resolution
  • Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
  • Marker and blue-only function
  • Durable, die cast aluminum frame
  • Quiet operation (No cooling fan)
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JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.
  • 46" Passive 3D Monitor
  • High picture quality 3D display with eye-friendly circular polarizing technology
  • 1920 x 1080 LCD panel with Xpol¨ glass filter
  • Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
  • Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
  • Can be used at anytime for conventional 2D display
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Wevi Wireless HD Video Transmission

Free your operator from the cables binding them to the director/client monitor
  • Multiple video formats and profiles including 1080i/23.98PsF
  • Automatically detects between HD-SDI and SD-SDI signals
  • Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
  • 2-channel embedded audio ensures no signal interference for complete audio/video synchronization
  • Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries
  • Selection of 4 manual channel frequencies--ideal if operating multiple systems in close proximity
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Red EVF

Remove distractions with a private view into the world of your film.
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Adjustable diopter
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Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
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Zacuto Zwivel EVF Mount

Heavy duty mount for the EVF.
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Element Technica EVF Mount

Heavy duty mount for the EVF.
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O'Connor 120EX Fluid Head (Mitchell)

Super-duty and ultra smooth.
  • Collapsible crank knob and digital readout make counterbalancing the payload easy
  • New sideload mechanism features a push-and-turn knob for precise adjustment of the fore/aft platform
  • Capacity: 240 lbs. (109 kg)
  • 150mm Mitchell Base
  • +/- 90 Degree Tilt Range
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Ronford-Baker Standards (Mitchell)

Designed for full studio, video, and all 35mm and 65mm film cameras.
  • Minimum Height: 3'
  • Maximum Height: 5' 6"
  • Weight: 22 lbs
  • Mitchell Mount
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Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.
  • Minimum Height: 1' 8"
  • Maximum Height: 3'
  • Weight 11lbs
  • Mitchell Mount
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Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.
  • Weight: 22 pounds (10Kgs)
  • Made from High Tensile Alloy
  • Folds flat and locks for easy transport and storage.
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Hi-Hat (Mitchell)

Durable support for low-angle shooting.
  • Hight: 4.5"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
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Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.
  • Height: 1.75"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
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Yaeger Senior Camera Carts

A versatile and durable mobile camera station.
  • Built-in Mitchell mount
  • On-cart dovetail mount
  • Collapses into "Case Form" for easy transporting
  • Includes battery powered clamp-on work light
  • Has two baby spuds for monitor mounting
  • Heavy duty rubber wheels for on-location filming
  • Welded steel joints, for maximum weight capacity
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Rubbermaid Camera Cart

A lightweight cart for easy maneuvering of camera gear.
  • Pneumatic swivel wheels with break-locks
  • Lightweight plastic body for easy off loading from a vehicle without a lift-gate
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128GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
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114mm - 4.5" Adapter Ring

Clamp-on adapter to use 4.5" filters with Angenieux Rouge Lenses.
  • Allows use of 4.5" filters when the 16-42mm Rouge lenses are in 3D configuration.
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Schneider 138mm Polarizer Filter

Make skies bluer, and reduce stray light intake.
  • 138mm round filter.
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Tiffen 4x5.65 Clear Filter

Protect your lens from harmful elements that could damage it.
  • 4" x 5.65" Filter
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Tiffen 4x5.65 IR Filter

Reduce purple vignettes by increasing the amount of infrared light entering your camera.
  • 4" x 5.65" Filter
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Tiffen 4x5.65 ND 0.3 Filter

Cut down the amount of available light entering the camera by one stop.
  • 4" x 5.65" Filter
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Tiffen 4x5.65 ND 0.6 Filter

Cut down the amount of available light entering the camera by two stops.
  • 4" x 5.65" Filter
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Tiffen 4x5.65 ND 0.9 Filter

Cut down the amount of available light entering the camera by three stops.
  • 4" x 5.65" Filter
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Tiffen 4x5.65 ND 1.2 Filter

Cut down the amount of available light entering the camera by four stops.
  • 4" x 5.65" Filter
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