Daufenbach Camera - RED Scarlet 4K/5K Digital Cinema Camera Rental Base Packages

RED 18mm T1.8 Prime Lens

T1.8-T22 range
304.8mm (12") Close Focus From Sensor
101.6mm (4") Close Focus From Lens Front
110mm Lens Diameter
Weighs 6.45lbs
Arri PL Mount

RED 25mm T1.8 Prime Lens

T1.8-T22 range
304.8mm (12") Close Focus From Sensor
101.6mm (4") Close Focus From Lens Front
110mm Lens Diameter
Weighs 6.16lbs
Arri PL Mount

RED 35mm T1.8 Prime Lens

T1.8-T22 range
304.8mm (12") Close Focus From Sensor
101.6mm (4") Close Focus From Lens Front
110mm Lens Diameter
Weighs 6.07lbs
Arri PL Mount

RED 50mm T1.8 Prime Lens

T1.8-T22 range
304.8mm (12") Close Focus From Sensor
152.4mm (6") Close Focus From Lens Front
110mm Lens Diameter
Weighs 4.53lbs
Arri PL Mount

RED 85mm T1.8 Prime Lens

T1.8-T22 range
609.6mm (24") Close Focus From Sensor
457.2mm (18") Close Focus From Lens Front
110mm Lens Diameter
Weighs 4.2lbs
Arri PL Mount

RED 100mm T1.8 Prime Lens

T1.8-T22 range
762mmm (30") Close Focus From Sensor
609.6mm (24") Close Focus From Lens Front
110mm Lens Diameter
Weighs 4.39lbs
Arri PL Mount

RED 17-50mm T2.9 Zoom Lens

T2.9-T22 range
4" Close Focus From Lens Front
Weighs 3.2lbs
Arri PL Mount

Angenieux Rouge 16-42mm T2.8 Zoom Lens

Opens up to T2.8
24" Close Focus From Sensor
Weighs 4.2lbs
Arri PL Mount

Angenieux Optimo 24-290mm T2.8 Zoom Lens

Opens up to T2.8
No breathing or ramping
32 degree focus rotation with over 25 witness marks
48" Close Focus From Sensor
Weighs 24.25lbs
Arri PL Mount

Arri FF4 Follow Focus

Surgically control camera focus, smoothly and efficiently.

Compatible with 19mm, 15mm or 15mm-lightweight rods.
Includes whip, speed crank, and dumb-side wheel
No "play" gearing
Interchangeable pitch gears
Quick release mounting

CMOTION Cvolution Wireless Lens Control System

Achieve and repeat the perfect pull, time and time again.

Allows control of up to 8 motors
Synchronized focus, iris, zoom and 3D capable
32 points of lens matching per scale
Synchronized camera start/stop
IO and convergence control option
Wireless picture option
Intelligent lens data display option
Fps and depth of field ramping option
Autofocus option with cfinder or cinetape
Daufenbach Camera owns the first system to be sold in America!

Cinetape Measure System

Precisely measure the changing distance between your actor and the camera.

Continuous camera to subject measurement
Ultra-sonic technology is invisible to camera

Arri MB20II Matte Box

Flag, mask, and filter out the hazards of a volatile world.

(3) fully rotatable 4" x 5.65" filter stages
(1) 138mm circular filter tray
Swing away rod mount

Arri LMB-15 Matte Box

New lightweight model; same ARRI durability.

(3) 4" x 5.65" stages
Clip-On mount, allows for use with the AF-100

TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.

5.6" Multiformat 1280 x 800 Resolution
Power using Panasonic or Canon batteries
Accepts HDMI/HD-SDI/Analog inputs

Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.

7" Multiformat 1600x600 Resolution
3G-SDI Input with Loop-Through
Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
Precision white balance and gamma
Red/Green/Blue Mono Channel
Glasses-Free Display!

Panasonic BT-LH900A 8.4" Monitor

A lightweight field monitor for any application.

8.4" Multiformat 1024 x 768 Resolution
Waveform picture-in-picture in 16:9 mode
Detachable Control Panel allows for multiple mounting points
Power using AC or Anton Bauer batteries
4.4 lbs (2 kg)

Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.

9" Multiformat 1280 x 768 Resolution
15:9 Aspect Ratio
W-LED Backlight
Focus Assist Option
Accepts HDMI/HD-SDI/Analog inputs

Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.

(2) HD/SD SDI Inputs
1 Rck out
Weight: 8.07lbs (3660g)
Dimensions: 297mm x 255mm x 70mm

Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.

17" Multiformat 1280 x 768 Resolution
Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
Marker and blue-only function
Durable, die cast aluminum frame
Quiet operation (No cooling fan)

JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.

46" Passive 3D Monitor
High picture quality 3D display with eye-friendly circular polarizing technology
1920 x 1080 LCD panel with Xpol¨ glass filter
Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
Can be used at anytime for conventional 2D display

Wevi Wireless HD Video Transmission

Free your operator from the cables binding them to the director/client monitor

Multiple video formats and profiles including 1080i/23.98PsF
Automatically detects between HD-SDI and SD-SDI signals
Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
2-channel embedded audio ensures no signal interference for complete audio/video synchronization
Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries
Selection of 4 manual channel frequencies--ideal if operating multiple systems in close proximity

Red EVF

Remove distractions with a private view into the world of your film.

Mounted directly onto RED camera body
720p HD resolution
High dynamic range
Adjustable diopter

Red BOMB EVF

Remove distractions with a private view into the world of your film.

Lighter weight: 1.2lb / 0.6kg
Integrated heater for shooting in colder climates
Mounted directly onto RED camera body
720p HD resolution
High dynamic range
Broad diopter range for customizing to operator

Zacuto Zwivel EVF Mount

Heavy duty mount for the EVF.

Element Technica EVF Mount

Heavy duty mount for the EVF.

O'Connor 2060HD Fluid Head (Mitchell)

Designed to give you the ultimate control and stability over your camera moves.

150mm Mitchell Base
Capacity: 83lbs (37.7kg)
+/- 90 Degree Tilt Range
O'Connor's patented sinusoidal counterbalance system
Stepless, ultra-smooth pan & tilt fluid drag

O'Connor 120EX Fluid Head (Mitchell)

Super-duty and ultra smooth.

Collapsible crank knob and digital readout make counterbalancing the payload easy
New sideload mechanism features a push-and-turn knob for precise adjustment of the fore/aft platform
Capacity: 240 lbs. (109 kg)
150mm Mitchell Base
+/- 90 Degree Tilt Range

Ronford-Baker Standards (Mitchell)

Designed for full studio, video, and all 35mm and 65mm film cameras.

Minimum Height: 3'
Maximum Height: 5' 6"
Weight: 22 lbs
Mitchell Mount

Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.

Minimum Height: 1' 8"
Maximum Height: 3'
Weight 11lbs
Mitchell Mount

Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.

Weight: 22 pounds (10Kgs)
Made from High Tensile Alloy
Folds flat and locks for easy transport and storage.

Hi-Hat (Mitchell)

Durable support for low-angle shooting.

Hight: 4.5"
Mitchell mount
Mount made from Machined aluminum casting
3/4" plywood mounting board with hand grips

Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.

Height: 1.75"
Mitchell mount
Mount made from Machined aluminum casting
3/4" plywood mounting board with hand grips

Element Technica Mantis Handheld System

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.

Dovetail interface allows quick setup; 20 seconds from tripod to hand held
Multi axis adjustment allows shoulder pad to conform to any shoulder
Fore/aft linear adjustment shoulder pad
Designed specifically for Arriflex style Hybrid bridge plates (435, Arricam, Moviecam, Phantom, etc.)
Telescopic and rotating handle extensions
Mounting point for ViewFactor Origo remote start/stop button

Yaeger Senior Camera Carts

A versatile and durable mobile camera station.

Built-in Mitchell mount
On-cart dovetail mount
Collapses into "Case Form" for easy transporting
Includes battery powered clamp-on work light
Has two baby spuds for monitor mounting
Heavy duty rubber wheels for on-location filming
Welded steel joints, for maximum weight capacity

Rubbermaid Camera Cart

A lightweight cart for easy maneuvering of camera gear.

Pneumatic swivel wheels with break-locks
Lightweight plastic body for easy off loading from a vehicle without a lift-gate

128GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives

Inserts directly into the Epic SSD module located on the camera

114mm - 4.5" Adapter Ring

Clamp-on adapter to use 4.5" filters with Angenieux Rouge Lenses.

Allows use of 4.5" filters when the 16-42mm Rouge lenses are in 3D configuration.

Schneider 138mm Polarizer Filter

Make skies bluer, and reduce stray light intake.

138mm round filter.

Tiffen 4x5.65 Clear Filter

Protect your lens from harmful elements that could damage it.

4" x 5.65" Filter

Tiffen 4x5.65 IR Filter

Reduce purple vignettes by increasing the amount of infrared light entering your camera.

4" x 5.65" Filter

Tiffen 4x5.65 ND 0.3 Filter

Cut down the amount of available light entering the camera by one stop.

4" x 5.65" Filter

Tiffen 4x5.65 ND 0.6 Filter

Cut down the amount of available light entering the camera by two stops.

4" x 5.65" Filter

Tiffen 4x5.65 ND 0.9 Filter

Cut down the amount of available light entering the camera by three stops.

4" x 5.65" Filter

Tiffen 4x5.65 ND 1.2 Filter

Cut down the amount of available light entering the camera by four stops.

4" x 5.65" Filter