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Arri FF4 Follow Focus

Surgically control camera focus, smoothly and efficiently.
  • Compatible with 19mm, 15mm or 15mm-lightweight rods.
  • Includes whip, speed crank, and dumb-side wheel
  • No "play" gearing
  • Interchangeable pitch gears
  • Quick release mounting
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CMOTION Cvolution Wireless Lens Control System

Achieve and repeat the perfect pull, time and time again.
  • Allows control of up to 8 motors
  • Synchronized focus, iris, zoom and 3D capable
  • 32 points of lens matching per scale
  • Synchronized camera start/stop
  • IO and convergence control option
  • Wireless picture option
  • Intelligent lens data display option
  • Fps and depth of field ramping option
  • Autofocus option with cfinder or cinetape
  • Daufenbach Camera owns the first system to be sold in America!
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Cinetape Measure System

Precisely measure the changing distance between your actor and the camera.
  • Continuous camera to subject measurement
  • Ultra-sonic technology is invisible to camera
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Arri MB14 Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (4) 6" x 6" filter holders
  • 18mm - 180mm mask set
  • Swing away rod mount
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Arri MB20II Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (3) fully rotatable 4" x 5.65" filter stages
  • (1) 138mm circular filter tray
  • Swing away rod mount
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Arri LMB-15 Matte Box

New lightweight model; same ARRI durability.
  • (3) 4" x 5.65" stages
  • Clip-On mount, allows for use with the AF-100
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RedVolt Battery

Ultra-portable power.
  • Powers the Red Epic for 30 minutes
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Anton Bauer Dionic HC Battery

Lightweight power for universal applications.

  • No TSA travel Restrictions
  • Size: 4.06 x 5.46 x 2.34 inches (10.31 x 13.87 x 5.94 cm)
  • Weight: 1.8lbs (0.8kg)
  • 14.4v 91Wh; (Nominal 91 Wh; Typical 83 Wh) Li Ion Battery
  • RealTime LCD Display
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Anton Bauer Power Kit

Keep your production charged, four batteries at a time.
  • Charges Dionic HC Batteries
  • Quad TM4 Charger
  • 70 watt power supply
  • Simultaneous, interactive, four-position charger
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Anton Bauer VCLX Cine Block Battery

Exponentially more powerful and longer lasting super-duty batteries.
  • Size: 10.00 x 12.75 x 5.50 inch (25.40 x 32.39 x 13.97 cm)
  • Weight: 25.0 lbs (11.3 kg)
  • Power Outputs: (2) 4p XLR for 14.4v and (1) 3p XLR for 28v
  • Provides Dual simultaneous outputs (20 amps@ 14.4v ; 12 amps @28v)
  • Realtime life display
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Panasonic VW-VBG6 Lithium-Ion Battery

Compact and compatible with any Panasonic camera.
  • Output Voltage 7.2V
  • Capacity 5400mAh
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Red Brick 140Wh

Standard Red Digital Cinema Battery.
  • 12v Brick Battery
  • V-mount connection
  • Intelligently communicates with Red camera
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Anton Bauer T2 Charger

Sometimes you want to get double charged.

  • Meets regulatory requirements, including CE and FCC
  • Size: 9.25 x 3.25 x 8.5 inches (23.5 x 8.26 x 21.6 cm)
  • Weight: 2.9lbs (1.3kg)
  • 2-Position Simultaneous Fast Charging
  • Charges all Anton Bauer Logic Series batteries
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Anton Bauer TM4 Quad Charger

This four position simultaneous, fast charger is designed to reliably energize Anton/Bauer Logic Series Batteries
  • Weight: 5.0 lbs (2.3 kg)
  • 70 Watt, 16VDC Power Supply Output
  • 4 Position Simultaneous Fast Charging
  • Remote USB software upgrade capability
  • Compatible with any Anton/Bauer Logic Series battery
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Anton Bauer Quad 2702 Charger

Sequentially fast-charge any combination of Anton/Bauer Logic Batteries using the advanced InterActive system, roughly the size of a laptop.
  • Weight: 4.1 lbs (1.9 kg)
  • 4 position sequential charging
  • 70 Watt, 16VDC Power Supply Output
  • Multi-function LCD readout
  • Compatible with any Anton/Bauer Logic Series battery
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RedVolt Charger

Keep your RedVolts charged and ready to go.
  • Typical time to full charge is 2 hours
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Red Battery Charger

Multi-charger for Red Digital Cinema batteries.
  • Charges two RED brick batteries at once
  • Powers RED One cameras with a RED DC Power Cable
  • Compact and Lightweight
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Anton Bauer QBH-HD Battery Charger

A hendheld accessory allowing you to combine multiple batteries for more power, longer.
  • Outputs to both 14.4 and 28.8 Volts simultaneously
  • Three 4pin XLR outputs(14.4v)
  • A 2pin Amphenol output (28.8V)
  • Weight: 2lbs (0.9kg)
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Ronford Baker Quick Release Plate

Quickly move between different setups.
  • Works with many tripod systems.
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Epic Side Handle Controller

Get a firm handle on the Epic.
  • Attaches to the side of the Epic-M
  • Set user-defined buttons
  • Use to control record functions and navigate through menus.
EPIC SCARLET RED ONE
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O'Connor 2060HD Fluid Head (Mitchell)

Designed to give you the ultimate control and stability over your camera moves.
  • 150mm Mitchell Base
  • Capacity: 83lbs (37.7kg)
  • +/- 90 Degree Tilt Range
  • O'Connor's patented sinusoidal counterbalance system
  • Stepless, ultra-smooth pan & tilt fluid drag
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O'Connor 120EX Fluid Head (Mitchell)

Super-duty and ultra smooth.
  • Collapsible crank knob and digital readout make counterbalancing the payload easy
  • New sideload mechanism features a push-and-turn knob for precise adjustment of the fore/aft platform
  • Capacity: 240 lbs. (109 kg)
  • 150mm Mitchell Base
  • +/- 90 Degree Tilt Range
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Ronford-Baker Standards (Mitchell)

Designed for full studio, video, and all 35mm and 65mm film cameras.
  • Minimum Height: 3'
  • Maximum Height: 5' 6"
  • Weight: 22 lbs
  • Mitchell Mount
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Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.
  • Minimum Height: 1' 8"
  • Maximum Height: 3'
  • Weight 11lbs
  • Mitchell Mount
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Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.
  • Weight: 22 pounds (10Kgs)
  • Made from High Tensile Alloy
  • Folds flat and locks for easy transport and storage.
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Hi-Hat (Mitchell)

Durable support for low-angle shooting.
  • Hight: 4.5"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
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Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.
  • Hight: 1.75"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
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Element Technica Mantis Handheld System

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.
  • Dovetail interface allows quick setup; 20 seconds from tripod to hand held
  • Multi axis adjustment allows shoulder pad to conform to any shoulder
  • Fore/aft linear adjustment shoulder pad
  • Designed specifically for Arriflex style Hybrid bridge plates (435, Arricam, Moviecam, Phantom, etc.)
  • Telescopic and rotating handle extensions
  • Mounting point for ViewFactor Origo remote start/stop button
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Water Horns

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.
  • Attach with no modification to the Quasar frame
  • Comfortable placement and grip
  • Supports the 3D rig at its center of gravity
  • Handy attachment points for monitors and camera accessories
  • Handles can be removed quickly if needed
  • Elegant contoured design
  • Machined, anodized aluminum construction
  • Cable-management clasp
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Element Technica 12" Arri Dovetail

An improved version of the Arri standard dovetail compatable with our Hybrid system, and all other Arriflex standard bridge plates.
  • Outside edge matches with Oconnor heads replacing the Oconnor Euro quick release plate
  • Weight: 1.5lbs (.6Kgs)
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Element Technica 18" Arri Dovetail

An improved version of the Arri standard dovetail compatable with our Hybrid system, and all other Arriflex standard bridge plates.
  • Outside edge matches with Oconnor heads replacing the Oconnor Euro quick release plate
  • Weight: 2.5lbs (1.2Kgs)
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Element Technica Hybrid Bridge Plate (15 or 19mm)

A giant step forward in design and easily convertible between 15mm Studio, 19mm Studio, 15mm Lightweight, and the Panavision rod standards.
  • Weight 11.2 oz (318g)
  • Fully Modular
  • Converts to 19mm, 15mm, 15mm LW Rods
  • Supports Arri, RED Cameras, and many others
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Yaeger Senior Camera Carts

A versatile and durable mobile camera station.
  • Built-in Mitchell mount
  • On-cart dovetail mount
  • Collapses into "Case Form" for easy transporting
  • Includes battery powered clamp-on work light
  • Has two baby spuds for monitor mounting
  • Heavy duty rubber wheels for on-location filming
  • Welded steel joints, for maximum weight capacity
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Rubbermaid Camera Cart

A lightweight cart for easy maneuvering of camera gear.
  • Pneumatic swivel wheels with break-locks
  • Lightweight plastic body for easy off loading from a vehicle without a lift-gate
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Red Touch 5" Monitor

The most intuitive camera operations GUI ever
  • 5" touch-screen monitor
  • Displays and controls all Epic/Scarlet menus
  • Set looks and control camera functions
EPIC SCARLET RED ONE
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Red 5.6" Onboard LCD

View your world in lightweight vibrance.
  • Adjustably mounts and connects directly to the RED camera body.
  • Native resolution 1024 x 600
  • Monitor Contrast is 250:1
  • Brightness: 550 nits
  • Viewing angle: 60 degrees H, 50 degrees V
EPIC SCARLET RED ONE
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TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.
  • 5.6" Multiformat 1280 x 800 Resolution
  • Power using Panasonic or Canon batteries
  • Accepts HDMI/HD-SDI/Analog inputs
  • View manual
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Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.
  • 7" Multiformat 1600x600 Resolution
  • 3G-SDI Input with Loop-Through
  • Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
  • Precision white balance and gamma
  • Red/Green/Blue Mono Channel
  • Glasses-Free Display!
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Panasonic BT-LH900A 8.4" Monitor

A lightweight field monitor for any application.
  • 8.4" Multiformat 1024 x 768 Resolution
  • Waveform picture-in-picture in 16:9 mode
  • Detachable Control Panel allows for multiple mounting points
  • Power using AC or Anton Bauer batteries
  • 4.4 lbs (2 kg)
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Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.
  • 9" Multiformat 1280 x 768 Resolution
  • 15:9 Aspect Ratio
  • W-LED Backlight
  • Focus Assist Option
  • Accepts HDMI/HD-SDI/Analog inputs
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Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.
  • (2) HD/SD SDI Inputs
  • 1 Rck out
  • Weight: 8.07lbs (3660g)
  • Dimensions: 297mm x 255mm x 70mm
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Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.
  • 17" Multiformat 1280 x 768 Resolution
  • Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
  • Marker and blue-only function
  • Durable, die cast aluminum frame
  • Quiet operation (No cooling fan)
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JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.
  • 46" Passive 3D Monitor
  • High picture quality 3D display with eye-friendly circular polarizing technology
  • 1920 x 1080 LCD panel with Xpol¨ glass filter
  • Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
  • Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
  • Can be used at anytime for conventional 2D display
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Wevi Wireless HD Video Transmission

Free your operator from the cables binding them to the director/client monitor
  • Multiple video formats and profiles including 1080i/23.98PsF
  • Automatically detects between HD-SDI and SD-SDI signals
  • Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
  • 2-channel embedded audio ensures no signal interference for complete audio/video synchronization
  • Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries
  • Selection of 4 manual channel frequencies--ideal if operating multiple systems in close proximity
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Red EVF

Remove distractions with a private view into the world of your film.
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Adjustable diopter
EPIC SCARLET RED ONE
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Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
EPIC SCARLET RED ONE
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Zacuto Zwivel EVF Mount

Heavy duty mount for the EVF.
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Element Technica EVF Mount

Heavy duty mount for the EVF.
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128GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
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RedMag 1.8" SSD Card Reader

Dump your R3D files to your computer in no time at all.
  • Connects to your computer via FireWire 800, USB or eSATA
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Red RAID Drive - 320GB

An efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
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Red RAID Drive - 640GB

An even more efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
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Red CF Card - 16GB

The workhorse of digital cinema media.
  • RED's own cards, engineered to handle the tremendous amount of data 4k footage comprises.
  • Stores 8-10 min of footage, or roughly 800' of film
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SD-HC Card - 16GB

Larger-volume data storage and optimized recording performance for the AF-100.
  • Records roughly 1 hour per card
  • Fully compatible with SD 3.0 Standards
  • SDHC Class 10 compliant
  • Easy to use, plug-and-play operation
  • Built-in Error Correcting Code (ECC) to detect and correct transfer errors
  • Supports Content Protection for Recordable Media (CPRM)
  • Allows In System Programming (ISP) for updating firmware
  • Mechanical write-protection switch
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114mm - 4.5" Adapter Ring

Clamp-on adapter to use 4.5" filters with Angenieux Rouge Lenses.
  • Allows use of 4.5" filters when the 16-42mm Rouge lenses are in 3D configuration.
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Schneider 138mm Round Polarizer Filter

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Tiffen 105C ND 0.3 Filter

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Tiffen 105C ND 0.6 Filter

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Tiffen 105C ND 0.9 Filter

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Tiffen 4x5.65 Classic Soft 1

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Tiffen 4x5.65 Classic Soft 1/2

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Tiffen 4x5.65 Clear Filter

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Tiffen 4x5.65 IR Filter

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Tiffen 4x5.65 IR ND 1.2 Filter

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Tiffen 4x5.65 ND 0.3 Filter

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Tiffen 4x5.65 ND 0.6 Filter

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Tiffen 4x5.65 ND 0.6 Soft Edge Grad Filter

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Tiffen 4x5.65 ND 0.9

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Tiffen 4x5.65 IR ND 0.9 Soft Edge Grad Filter

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Tiffen 4x5.65 IR ND 1.2 Filter

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Tiffen 4x5.65 IR ND 1.2 Soft Edge Grad Filter

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Sennheiser Evolution 100 Series G3 Kit

Wireless audio for all your production needs
  • Includes receiver/transmitter sets, plug-on transmitter, and ME2 lavalier microphone.
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Apple Box Set

Collect them all!
  • Includes Full Apple, Half Apple, Quarter Apple and Pancake.
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Full Apple Box

Collect them all!
  • Made from solid wood
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Half Apple Box

Collect them all!
  • Made from solid wood
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Quarter Apple Box

Collect them all!
  • Made from solid wood
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Pancake Apple Box

Collect them all!
  • Made from solid wood
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AJA Gen10 Sync Box

Sync multiple cameras for 3D and visual effects
  • HD Tri-level sync generation
  • Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  • Assignable in two groups to either HD or SD (4 BNCs: Outputs 1 through 4, 2 BNCs: Outputs 5 through 6)
  • Power Supply Range: 5-18VDC
  • External Dip Switch Configuration
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KamCoat Camera Rain Cover

  • 100% Waterproof raincover
  • Secured under strong velcro closures
  • Elastic cords tighten around the lens and viewfinders
  • Fits the RED One with lens, and cameras of comparable size
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AJA HI5 HD-SDI to HDMI

Split your camera signal allowing for multiple client/director monitors.
  • SDI or HD-SDI to HDMI for driving HDMI monitors
  • Output HDMI with embedded audio, 24-bit (selectable by internal jumper: 2 or 8 channels)
  • Audio in/out also 2 channel RCA-style outputs at -10dBV (nominal), Ch. 1 and 2
  • 1 Looping SDI/HD-SDI output of the SDI input (for "Daisy Chain")
  • Input SMPTE-259/274/292/296 SDI/HD-SDI, 1 x BNC
  • Size: 4.6" x 2.4" x 1" (117 x 61 x 25mm)
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BlackMagic SDI to HDMI

More options for splitting your camera signal, to allow for multiple client/director monitors.
  • SD, HD and SDI (3 Gb/s) video input
  • 2 channels of professional balanced analog or digital audio with standard 1/4 inch jack connections
  • SDI Redundant input Automatically switches over if main SDI input is lost
  • Auto detection of HD or standard definition SDI inputs
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Denecke SB-T Timecode Box

Efficiently read, generate and jam timecode.
  • Input: -15dB @ 4.7K; 1/8Ó mini phone jack
  • TCXO Crystal: +/- 1PPM @ -30¼ to +75¼ C
  • Battery Power: 3 Alkaline ÒAAÓ Batteries Battery Life: 48+ Hours
  • External Power: 5.7v to 16v DC
  • 2 Video Outputs: Composite: (PAL & NSTC) and Trilevel: (All 1920 x 1080 Formats and 1280 x 720 formats)
  • Size: 4.475Ó x 2.90Ó x 1.050Ó
  • Weight: .750 pounds (with batteries)
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AJA KiPRO

A tapeless video recording device that creates high-quality Apple ProRes 422 QuickTime files on a computer-friendly Storage Module.
  • SD and HD-SDI (1xBNC), HDMI Digital Inputs and Outputs
  • SD/HD Component (3xBNCS) Analog Inputs adn Outouts
  • Embeded digital audio and Anolog Dual XLR audio inputs and outputs
  • Network capable
  • LTC timecode input and output via BNC
  • Records to all flavors of ProRess
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Mobile Red Rocket

Process the world at your fingertips.
  • Makes transcoded dailies possible, using any laptop with an express card port
  • Has 2 DVI and 2 SDI monitor outputs
  • Allows for playback of 4k Hi-Res footage
  • Reduces transcoding time by 4x
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REDmote

Hands-off control of the Epic or Scarlet
  • Control and modify all Epic/Scarlet camera functions
  • Can be either docked or used wirelessly
  • 8 Hour Battery Life (charges while docked to camera or via USB cable)
  • 50 foot operation range
EPIC SCARLET RED ONE
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DSMC Side Handle Controller

Get a firm handle on your DSMC camera.
  • Attaches to the side of the Epic or Scarlet
  • Set user-defined buttons
  • Use to control record functions and navigate through menus.
EPIC SCARLET RED ONE
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Red Touch 5" LCD

The most intuitive camera operations GUI ever
  • 5" touch-screen monitor
  • Displays and controls all Epic menus
  • Set looks and control camera functions
EPIC SCARLET RED ONE
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Red 5.6" Onboard LCD

View your world in lightweight vibrance.
  • Adjustably mounts and connects directly to the RED camera body.
  • Native resolution 1024 x 600
  • Monitor Contrast is 250:1
  • Brightness: 550 nits
  • Viewing angle: 60 degrees H, 50 degrees V
EPIC SCARLET RED ONE
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RedVolt Battery

Ultra-portable power.
  • Powers the Red Epic for 30 minutes
EPIC SCARLET RED ONE
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RedVolt Charger

Keep your RedVolts charged and ready to go.
  • Typical time to full charge is 2 hours
EPIC SCARLET RED ONE
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Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
EPIC SCARLET RED ONE
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Red EVF

Remove distractions with a private view into the world of your film.
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Adjustable diopter
EPIC SCARLET RED ONE
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128GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
EPIC SCARLET RED ONE
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RedMag 1.8" SSD Card Reader

Dump your R3D files to your computer in no time at all.
  • Connects to your computer via FireWire 800, USB or eSATA
EPIC SCARLET RED ONE
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Red Brick 140Wh

Standard Red Digital Cinema Battery.
  • 12v Brick Battery
  • V-mount connection
  • Intelligently communicates with Red camera
EPIC SCARLET RED ONE
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Red Battery Charger

Multi-charger for Red Digital Cinema batteries.
  • Charges two RED brick batteries at once
  • Powers RED One cameras with a RED DC Power Cable
  • Compact and Lightweight
EPIC SCARLET RED ONE
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Red RAID Drive - 320GB

An efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
EPIC SCARLET RED ONE
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Red RAID Drive - 640GB

An even more efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
EPIC SCARLET RED ONE
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Red CF Card - 16GB

The workhorse of digital cinema media.
  • RED's own cards, engineered to handle the tremendous amount of data 4k footage comprises.
  • Stores 8-10 min of footage, or roughly 800' of film
EPIC SCARLET RED ONE
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Mobile Red Rocket

Process the world at your fingertips.
  • Makes transcoded dailies possible, using any laptop with an express card port
  • Has 2 DVI and 2 SDI monitor outputs
  • Allows for playback of 4k Hi-Res footage
  • Reduces transcoding time by 4x
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Element Technica BNC Breakout Box

Splits the video output signal, allowing for more client/director monitors on set.
  • Mounts directly onto the camera
  • BNC Output only
EPIC SCARLET RED ONE
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