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Arri FF4 Follow Focus

Surgically control camera focus, smoothly and efficiently.
  • Compatible with 19mm, 15mm or 15mm-lightweight rods.
  • Includes whip, speed crank, and dumb-side wheel
  • No "play" gearing
  • Interchangeable pitch gears
  • Quick release mounting
 

Arri MFF-2 Follow Focus

Surgically control camera focus, smoothly and efficiently.
  • Compatible with 15mm-lightweight rods.
  • Includes whip, speed crank
  • No "play" gearing
  • Interchangeable pitch gears
  • Quick release mounting
 

Redrock microTape

Redrock microTape real-time range finder for focus assist.
  • Can be used safely on any type of subject (objects, animals, people, etc)
  • Can be mounted directly on the camera rig
 

Cinetape Measure System

Precisely measure the changing distance between your actor and the camera.
  • Continuous camera to subject measurement
  • Ultra-sonic technology is invisible to camera
 

RT Motion Wireless Follow Focus

  • Wireless control
 

Preston FIZ 1 Wireless Follow Focus

It is a classic that AC's have trusted for years.
  • Wireless control
 

Preston Microforce Digital 2

Directly drives digital motors.
  • Programmable soft stops
  • Speed control knob with a digital readout
  • Automatic lens calibration
  • Electronic limit setting
  • Bright led displays of zoom position and speed setting
  • Power Requirements: 12 - 28 VDC
 

CMOTION Cvolution Wireless Lens Control System

Achieve and repeat the perfect pull, time and time again.
  • Allows control of up to 8 motors
  • Synchronized focus, iris, zoom and 3D capable
  • 32 points of lens matching per scale
  • Synchronized camera start/stop
  • IO and convergence control option
  • Wireless picture option
  • Intelligent lens data display option
  • Fps and depth of field ramping option
  • Autofocus option with cfinder or cinetape
  • Daufenbach Camera owns the first system to be sold in America!
 

 

Arri MB14 Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (4) 6" x 6" filter holders
  • 18mm - 180mm mask set
  • Swing away rod mount
 

Arri LMB-15 Matte Box

New lightweight model; same ARRI durability.
  • (3) 4" x 5.65" stages
  • Clip-On mount, allows for use with the AF-100
 

Arri MB18 Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (3) 4x5.65"
  • Swing away design
 

Arri MB19 Matte Box

Ideal for smaller DSLR cameras.
  • (3) 4x5.65"- 2 rotating, 1 fixed
  • (1) 138mm circular filter tray
  • Can mount with lightweight 15mm support rods or studio 19mm support rods
  • Swing away design
 

Arri MB20II Matte Box

Flag, mask, and filter out the hazards of a volatile world.
  • (3) fully rotatable 4" x 5.65" filter stages
  • (1) 138mm circular filter tray
  • Swing away rod mount
   
 
 
 
 
 
 
 

 

Cine-tal Davio Multiplexer

A versatile solution for 3D stereoscopic production
  • Production, post-production, DI, color grading, visual effects
  • 3D stereoscopic signal processing and calibration
  • Create and convert 3D stereo formats (side-by-side, over/under, line interlaced, pixel mesh, frame toggle, anaglyphic)
  • Independent color processing for left and right channels
 

AJA Gen10 Sync Box

Sync multiple cameras for 3D and visual effects
  • HD Tri-level sync generation
  • Two groups of independently switchable outputs allows simultaneous HD and SD sync generation
  • Assignable in two groups to either HD or SD (4 BNCs: Outputs 1 through 4, 2 BNCs: Outputs 5 through 6)
  • Power Supply Range: 5-18VDC
  • External Dip Switch Configuration
 

AJA HI5 HD-SDI to HDMI

Split your camera signal allowing for multiple client/director monitors.
  • SDI or HD-SDI to HDMI for driving HDMI monitors
  • Output HDMI with embedded audio, 24-bit (selectable by internal jumper: 2 or 8 channels)
  • Audio in/out also 2 channel RCA-style outputs at -10dBV (nominal), Ch. 1 and 2
  • 1 Looping SDI/HD-SDI output of the SDI input (for "Daisy Chain")
  • Input SMPTE-259/274/292/296 SDI/HD-SDI, 1 x BNC
  • Size: 4.6" x 2.4" x 1" (117 x 61 x 25mm)
 

AJA HD5DA 1x4 HD-SDI Distribution Amplifier

The HD5DA is a miniature, 1x4 HD-SDI/SDI distribution amplifier/repeater
  • Auto Input
  • Small Footprint
  • Four seperately buffered HD-SDI outputs
  • Power via V-Mount or Gold Mount
 

BlackMagic SDI to HDMI

More options for splitting your camera signal, to allow for multiple client/director monitors.
  • SD, HD and SDI (3 Gb/s) video input
  • 2 channels of professional balanced analog or digital audio with standard 1/4 inch jack connections
  • SDI Redundant input Automatically switches over if main SDI input is lost
  • Auto detection of HD or standard definition SDI inputs
 

AJA KiPRO

A tapeless video recording device that creates high-quality Apple ProRes 422 QuickTime files on a computer-friendly Storage Module.
  • SD and HD-SDI (1xBNC), HDMI Digital Inputs and Outputs
  • SD/HD Component (3xBNCS) Analog Inputs adn Outouts
  • Embeded digital audio and Anolog Dual XLR audio inputs and outputs
  • Network capable
  • LTC timecode input and output via BNC
  • Records to all flavors of ProRess
 

Denecke SB-T Timecode Box

Efficiently read, generate and jam timecode.
  • Input: -15dB @ 4.7K; 1/80 mini phone jack
  • TCXO Crystal: +/- 1PPM @ -30¼ to +75¼ C
  • Battery Power: 3 Alkaline Batteries Battery Life: 48+ Hours
  • External Power: 5.7v to 16v DC
  • 2 Video Outputs: Composite: (PAL and NSTC) and Trilevel: (All 1920 x 1080 Formats and 1280 x 720 formats)
  • Size: 4.4750 x 2.9000 x 1.0500
  • Weight: .750 pounds (with batteries)
 

 

RedVolt Battery

Ultra-portable power.
  • Powers the Red Epic for 30 minutes
 

Anton Bauer Dionic HC Battery

Lightweight power for universal applications.

  • No TSA travel Restrictions
  • Size: 4.06 x 5.46 x 2.34 inches (10.31 x 13.87 x 5.94 cm)
  • Weight: 1.8lbs (0.8kg)
  • 14.4v 91Wh; (Nominal 91 Wh; Typical 83 Wh) Li Ion Battery
  • RealTime LCD Display
 

Anton Bauer Power Kit

Keep your production charged, four batteries at a time.
  • Charges Dionic HC Batteries
  • Quad TM4 Charger
  • 70 watt power supply
  • Simultaneous, interactive, four-position charger
 

Anton Bauer VCLX Cine Block Battery

Exponentially more powerful and longer lasting super-duty batteries.
  • Size: 10.00 x 12.75 x 5.50 inch (25.40 x 32.39 x 13.97 cm)
  • Weight: 25.0 lbs (11.3 kg)
  • Power Outputs: (2) 4p XLR for 14.4v and (1) 3p XLR for 28v
  • Provides Dual simultaneous outputs (20 amps@ 14.4v ; 12 amps @28v)
  • Realtime life display
 

Panasonic VW-VBG6 Lithium-Ion Battery

Compact and compatible with any Panasonic camera.
  • Output Voltage 7.2V
  • Capacity 5400mAh
 

Panasonic Battery Charger

 

Anton Bauer T2 Fast Charger

Sometimes you want to get double charged.

  • Meets regulatory requirements, including CE and FCC
  • Size: 9.25 x 3.25 x 8.5 inches (23.5 x 8.26 x 21.6 cm)
  • Weight: 2.9lbs (1.3kg)
  • 2-Position Simultaneous Fast Charging
  • Charges all Anton Bauer Logic Series batteries
 

Anton Bauer TM4 Quad Charger

This four position simultaneous, fast charger is designed to reliably energize Anton/Bauer Logic Series Batteries
  • Weight: 5.0 lbs (2.3 kg)
  • 70 Watt, 16VDC Power Supply Output
  • 4 Position Simultaneous Fast Charging
  • Remote USB software upgrade capability
  • Compatible with any Anton/Bauer Logic Series battery
 

Anton Bauer Quad 2702 Charger

Sequentially fast-charge any combination of Anton/Bauer Logic Batteries using the advanced InterActive system, roughly the size of a laptop.
  • Weight: 4.1 lbs (1.9 kg)
  • 4 position sequential charging
  • 70 Watt, 16VDC Power Supply Output
  • Multi-function LCD readout
  • Compatible with any Anton/Bauer Logic Series battery
 

RedVolt Travel Charger

Keep your RedVolts charged and ready to go.
  • Typical time to full charge is 2 hours
 

Anton Bauer QBH-HD Battery Module

A hendheld accessory allowing you to combine multiple batteries for more power, longer.
  • Outputs to both 14.4 and 28.8 Volts simultaneously
  • Three 4pin XLR outputs(14.4v)
  • A 2pin Amphenol output (28.8V)
  • Weight: 2lbs (0.9kg)
 

CyberPower 8-Outlet Uninterruptible Power Supply

 

Frezzi Universal Juicebox Power Supply

The Universal Juicebox is the most powerful and versatile AC power supply in the industry.
  • Delivers both 14.4v and 28v simultaneously
  • Ideal for use with a variety of cameras, monitors, lights and other equipment
 

 

Easyrig Cinema 3 500N Stabilizing Camera Support

Reduces Strain on Neck & Shoulders
  • Supports 22 - 30 lbs (10 - 13.6 kg)
  • Handheld Stability
 

Ronford Baker Quick Release Plate

Quickly move between different setups.
  • Works with many tripod systems.
 

O'Connor 1030D Fluid Head (Mitchell)

Designed for a seamless transition from heavier to lighter camera setups.
  • 100mm Mitchell Base
  • Capacity: 30 lbs (13.6 kg)
  • +/- 90 Degree Tilt Range
  • Stepless, ultra-smooth pan and tilt fluid drag
 

O'Connor 2060HD Fluid Head (Mitchell)

Designed to give you the ultimate control and stability over your camera moves.
  • 150mm Mitchell Base
  • Capacity: 83lbs (37.7kg)
  • +/- 90 Degree Tilt Range
  • O'Connor's patented sinusoidal counterbalance system
  • Stepless, ultra-smooth pan and tilt fluid drag
 

O'Connor 120EX Fluid Head (Mitchell)

Super-duty and ultra smooth.
  • Collapsible crank knob and digital readout make counterbalancing the payload easy
  • New sideload mechanism features a push-and-turn knob for precise adjustment of the fore/aft platform
  • Capacity: 240 lbs. (109 kg)
  • 150mm Mitchell Base
  • +/- 90 Degree Tilt Range
 

Sachtler Video 15 SB Fluid Head

Self-illuminated Touch Bubbles for easy leveling.
  • Supports 2-35 lbs
  • 100mm bowl fluid head
  • Weight is 15.6 lbs
 

Sachtler 7+7 Studio II Fluid Head

  • Heavy Duty construction
  • Capacity: 110 pounds
  • +/- 75 Degree Tilt Range
 

Ronford-Baker Standards (Mitchell)

Designed for full studio, video, and all 35mm and 65mm film cameras.
  • Minimum Height: 3'
  • Maximum Height: 5' 6"
  • Weight: 22 lbs
  • Mitchell Mount
 

Ronford-Baker Baby Legs (Mitchell)

Utilizing strength of the Standards for lower-angle shooting.
  • Minimum Height: 1' 8"
  • Maximum Height: 3'
  • Weight 11lbs
  • Mitchell Mount
 

Ronford-Baker Standard Rolling Spider

Carries virtually any weight and make of tripod; sustains rigid form and smooth operation.
  • Weight: 22 pounds (10Kgs)
  • Made from High Tensile Alloy
  • Folds flat and locks for easy transport and storage.
 

Hi-Hat (Mitchell)

Durable support for low-angle shooting.
  • Hight: 4.5"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

Low-Hat (Mitchell)

Reliable support for extreme low-angle shooting.
  • Hight: 1.75"
  • Mitchell mount
  • Mount made from Machined aluminum casting
  • 3/4" plywood mounting board with hand grips
 

CineSaddle

The CineSaddle provides a stable base that supports the camera.
  • Dimensions: 12" x 12"
  • Weight: 3 lbs
 

Element Technica Mantis Handheld System

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.
  • Dovetail interface allows quick setup; 20 seconds from tripod to hand held
  • Multi axis adjustment allows shoulder pad to conform to any shoulder
  • Fore/aft linear adjustment shoulder pad
  • Designed specifically for Arriflex style Hybrid bridge plates (435, Arricam, Moviecam, Phantom, etc.)
  • Telescopic and rotating handle extensions
  • Mounting point for ViewFactor Origo remote start/stop button
 

Moose Bars

Double handgrip stabilization system for video - HD or RED cameras
  • High tensile aluminum
  • Soft foam grip handles
  • *Rods not included
     

Water Horns

The industry's most configurable and innovative shoulder mounting solution for film and digital cinema cameras.
  • Attach with no modification to the Quasar frame
  • Comfortable placement and grip
  • Supports the 3D rig at its center of gravity
  • Handy attachment points for monitors and camera accessories
  • Handles can be removed quickly if needed
  • Elegant contoured design
  • Machined, anodized aluminum construction
  • Cable-management clasp
 

Element Technica 12 inch Arri Dovetail

An improved version of the Arri standard dovetail compatable with our Hybrid system, and all other Arriflex standard bridge plates.
  • Outside edge matches with Oconnor heads replacing the Oconnor Euro quick release plate
  • Weight: 1.5lbs (.6Kgs)
 

Element Technica 18 inch Arri Dovetail

An improved version of the Arri standard dovetail compatable with our Hybrid system, and all other Arriflex standard bridge plates.
  • Outside edge matches with Oconnor heads replacing the Oconnor Euro quick release plate
  • Weight: 2.5lbs (1.2Kgs)
 

Canon C300 Baseplate

  • BPA-2 Bridgeplate Adapter
  • C300 Lightweight Support Plate
 

Element Technica Hybrid Bridge Plate (15 or 19mm)

A giant step forward in design and easily convertible between 15mm Studio, 19mm Studio, 15mm Lightweight, and the Panavision rod standards.
  • Weight 11.2 oz (318g)
  • Fully Modular
  • Converts to 19mm, 15mm, 15mm LW Rods
  • Supports Arri, RED Cameras, and many others
 

Element Technica EVF Mount

Heavy duty mount for the EVF.
 

Zacuto Zwivel EVF Mount

Heavy duty mount for the EVF.
 

Filmtools Junior Camera / DIT Cart

 

Yaeger Senior Camera Cart

A versatile and durable mobile camera station.
  • Built-in Mitchell mount
  • On-cart dovetail mount
  • Collapses into "Case Form" for easy transporting
  • Includes battery powered clamp-on work light
  • Has two baby spuds for monitor mounting
  • Heavy duty rubber wheels for on-location filming
  • Welded steel joints, for maximum weight capacity
 

Rubbermaid Camera Cart

A lightweight cart for easy maneuvering of camera gear.
  • Pneumatic swivel wheels with break-locks
  • Lightweight plastic body for easy off loading from a vehicle without a lift-gate
 

 

Red Touch 5" Monitor

The most intuitive camera operations GUI ever
  • 5" touch-screen monitor
  • Displays and controls all Epic/Scarlet menus
  • Set looks and control camera functions
EPIC SCARLET RED ONE
 

Red Touch 9" Monitor

The most intuitive camera operations GUI ever
  • 9" touch-screen monitor
  • Displays and controls all Epic/Scarlet menus
  • Set looks and control camera functions
EPIC SCARLET RED ONE
 

Red 5.6" Onboard LCD

View your world in lightweight vibrance.
  • Adjustably mounts and connects directly to the RED camera body.
  • Native resolution 1024 x 600
  • Monitor Contrast is 250:1
  • Brightness: 550 nits
  • Viewing angle: 60 degrees H, 50 degrees V
EPIC SCARLET RED ONE
 

Sound Devices PIX 240 Monitor and Recorder

An onboard monitor and 4:2:2 recorder in one.
  • Records Audio from camera or from a direct line
  • Plays back recorded files
  • Takes files names directly from cameras metadata
  • Records Apple Pro Res or Avid DNX files
  • Outputs both Timecode and Genlock
  • Records to SSD Drives or CF Cards
  • View manual
 

TV Logic VFM-056W 5.6" Monitor

A lightweight field monitor for any application.
  • 5.6" Multiformat 1280 x 800 Resolution
  • Power using Panasonic or Canon batteries
  • Accepts HDMI/HD-SDI/Analog inputs
  • View manual
 

Marshall OR-70-3D 7" 3D Field Monitor

The world's first lightweight autostereosopic field monitor.
  • 7" Multiformat 1600x600 Resolution
  • 3G-SDI Input with Loop-Through
  • Dual Real-Time Waveform, Vectorscope and Image Processing Analysis
  • Precision white balance and gamma
  • Red/Green/Blue Mono Channel
  • Glasses-Free Display!
   
 

Panasonic 8" BT-LH80WP Monitor

This is a field monitor.
  • 800 x 480 pixel WVGA resolution panel
  • Displays 4:3 aspect ratio images
  • RS-232C and GPI remote control terminals
 

Panasonic BT-LH910 9" Monitor

A lightweight field monitor for 3D or 2D.
  • 9" Multiformat 1280 x 768 Resolution
  • 15:9 Aspect Ratio
  • W-LED Backlight
  • Focus Assist Option
  • Accepts HDMI/HD-SDI/Analog inputs
 

Transvideo CinemonitorHD 12" Monitor

A 12" 3D monitor ideal for technicians and assistants to guide stereography.
  • (2) HD/SD SDI Inputs
  • 1 Rck out
  • Weight: 8.07lbs (3660g)
  • Dimensions: 297mm x 255mm x 70mm
 

Panasonic BT-LH1710 17" Monitor

The classic HD director's monitor.
  • 17" Multiformat 1280 x 768 Resolution
  • Waveform monitor and vectorscope displays all picture lines (via HD-SDI / SDI input)
  • Marker and blue-only function
  • Durable, die cast aluminum frame
  • Quiet operation (No cooling fan)
 

JVC GD-463D10 46" Passive 3D Monitor

This 46' flicker-free 3D display is easy on the eyes and requires no battery-powered glasses.
  • 46" Passive 3D Monitor
  • High picture quality 3D display with eye-friendly circular polarizing technology
  • 1920 x 1080 LCD panel with Xpol¨ glass filter
  • Horizontal interleaving polarization method: Complements the side-by-side format and converts to line interlace (line-by-line)
  • Utilizes inexpensive disposable (passive) polarized glasses to watch 3D content
  • Can be used at anytime for conventional 2D display
 

Paralinx Arrow

This HDMI video transmitter that is small and uses minimal power.
  • Includes Transmitter, receiver and power adapter cable
 

Wevi Wireless HD Video Transmission

Free your operator from the cables binding them to the director/client monitor
  • Multiple video formats and profiles including 1080i/23.98PsF
  • Automatically detects between HD-SDI and SD-SDI signals
  • Transmission range of 150 feet line of sight or up to 100 feet through walls (actual range may vary depending on site conditions)
  • 2-channel embedded audio ensures no signal interference for complete audio/video synchronization
  • Uses integrated V-Mount for camera and battery connection; fully compatible with ENDURA batteries
  • Selection of 4 manual channel frequencies--ideal if operating multiple systems in close proximity
 

Red EVF

Remove distractions with a private view into the world of your film.
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Adjustable diopter
EPIC SCARLET RED ONE
 

Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
EPIC SCARLET RED ONE
 

 

64GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
 

128GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
 

256GB 1.8" SSD MEDIA CARD

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
 

RedMag 1.8" SSD Card Reader

Dump your R3D files to your computer in no time at all.
  • Connects to your computer via FireWire 800, USB or eSATA
 

Red RAID Drive - 320GB

An efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
 

Red RAID Drive - 640GB

An even more efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
 

Red CF Card - 16GB

The workhorse of digital cinema media.
  • RED's own cards, engineered to handle the tremendous amount of data 4k footage comprises.
  • Stores 8-10 min of footage, or roughly 800' of film
 

SD-HC Card - 16GB

Larger-volume data storage and optimized recording performance for the AF-100.
  • Records roughly 1 hour per card
  • Fully compatible with SD 3.0 Standards
  • SDHC Class 10 compliant
  • Easy to use, plug-and-play operation
  • Built-in Error Correcting Code (ECC) to detect and correct transfer errors
  • Supports Content Protection for Recordable Media (CPRM)
  • Allows In System Programming (ISP) for updating firmware
  • Mechanical write-protection switch
 

32gb SxS Pro Card

 

Pix 240 256gig SSD Drive

 

Sound Devices PIX 240 Monitor and Recorder

An onboard monitor and 4:2:2 recorder in one.
  • Records Audio from camera or from a direct line
  • Plays back recorded files
  • Takes files names directly from cameras metadata
  • Records Apple Pro Res or Avid DNX files
  • Outputs both Timecode and Genlock
  • Records to SSD Drives or CF Cards
  • View manual
 
 
 
 
 
 

 

Tiffen 4x5.65 Filter

 

Tiffen 4x5.65 Clear Filter

 

Tiffen 4x5.65 Hot Mirror Filter

 

Tiffen 4x5.65 Rotating Polarizer Filter

 

Tiffen 4x5.65 HD Classic Soft 1/8

 

Tiffen 4x5.65 HD Classic Soft 1/4

 

Tiffen 4x5.65 HD Classic Soft 1/2

 

Tiffen 4x5.65 HD Classic Soft 1

 

Tiffen 4x5.65 ND 0.3 Filter

 

Tiffen 4x5.65 ND 0.6 Filter

 

Tiffen 4x5.65 ND 0.9 Filter

 

Tiffen 4x5.65 ND 1.2 Filter

 

Tiffen 4x5.65 ND 0.3 Soft Edge Grad Filter

 

Tiffen 4x5.65 ND 0.6 Soft Edge Grad Filter

 

Tiffen 4x5.65 ND 0.9 Soft Edge Grad Filter

 

Tiffen 4x5.65 ND 1.2 Soft Edge Grad Filter

 

Tiffen 6.6x6.6 ND 0.3 Filter

 

Tiffen 6.6x6.6 ND 0.6 Filter

 

Tiffen 6.6x6.6 ND 0.9 Filter

 

Tiffen 6.6x6.6 ND 1.2 Filter

 

Tiffen 6.6x6.6 Clear Filter

 

Schneider 138mm Round Polarizer Filter

 

Schneider 138mm Diopter +1/2

 

Schneider 138mm Diopter +1

 

Schneider 138mm Diopter +2

 

Schneider 138mm Split Diopter +1/2

 

Schneider 138mm Split Diopter +1

 

Schneider 138mm Split Diopter +2

 

Tiffen 4.5" Round ND 0.3 Filter

 

Tiffen 4.5" Round ND 0.6 Filter

 

Tiffen 4.5" Round ND 0.9 Filter

 

114mm - 4.5" Adapter Ring

Clamp-on adapter to use 4.5" filters with Angenieux Optimo Lenses.
  • Allows use of 4.5" filters when the 16-42mm Optimo lenses are in 3D configuration.
 

Tiffen 105C ND 0.3 Filter

 

Tiffen 105C ND 0.6 Filter

 

Tiffen 105C ND 0.9 Filter

 

 

Sennheiser Evolution 100 Series G3 Kit

Wireless audio for all your production needs
  • Includes receiver/transmitter sets, plug-on transmitter, and ME2 lavalier microphone.
 

KamCoat Camera Rain Cover

  • 100% Waterproof raincover
  • Secured under strong velcro closures
  • Elastic cords tighten around the lens and viewfinders
  • Fits the RED One with lens, and cameras of comparable size
   

 

REDmote

Hands-off control of the Epic or Scarlet
  • Control and modify all Epic/Scarlet camera functions
  • Can be either docked or used wirelessly
  • 8 Hour Battery Life (charges while docked to camera or via USB cable)
  • 50 foot operation range
EPIC SCARLET RED ONE
 

DSMC Side Handle Controller

Get a firm handle on your DSMC camera.
  • Attaches to the side of the Epic or Scarlet
  • Set user-defined buttons
  • Use to control record functions and navigate through menus.
EPIC SCARLET RED ONE
 

DSMC ProMote Remote Trigger

  • Button lights up for visual confirmation that the camera is triggered
  • Start/stop beep ensures audible confirmation
  • The tone can be toggled on and off
EPIC SCARLET RED ONE
 

DSMC Backplate

  • Compatible with both Epic and Scarlet
EPIC SCARLET RED ONE
 

Red Touch 5" LCD

The most intuitive camera operations GUI ever
  • 5" touch-screen monitor
  • Displays and controls all Epic menus
  • Set looks and control camera functions
EPIC SCARLET RED ONE
 

Red Touch 9" LCD

The most intuitive camera operations GUI ever
  • 9" touch-screen monitor
  • Displays and controls all Epic menus
  • Set looks and control camera functions
EPIC SCARLET RED ONE
 

Red 5.6" Onboard LCD

View your world in lightweight vibrance.
  • Adjustably mounts and connects directly to the RED camera body.
  • Native resolution 1024 x 600
  • Monitor Contrast is 250:1
  • Brightness: 550 nits
  • Viewing angle: 60 degrees H, 50 degrees V
EPIC SCARLET RED ONE
 

RedVolt Battery

Ultra-portable power.
  • Powers the Red Epic for 30 minutes
EPIC SCARLET RED ONE
 

RedVolt Travel Charger

Keep your RedVolts charged and ready to go.
  • Typical time to full charge is 2 hours
EPIC SCARLET RED ONE
 

Red Spinner

Highly adjustable mounting bracket.
  • For use with BOMB EVF
EPIC SCARLET RED ONE
 

EVF Mount System with Brackets

EPIC SCARLET RED ONE
 

Red BOMB EVF

Remove distractions with a private view into the world of your film.
  • Lighter weight: 1.2lb / 0.6kg
  • Integrated heater for shooting in colder climates
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Broad diopter range for customizing to operator
EPIC SCARLET RED ONE
 

Red EVF

Remove distractions with a private view into the world of your film.
  • Mounted directly onto RED camera body
  • 720p HD resolution
  • High dynamic range
  • Adjustable diopter
EPIC SCARLET RED ONE
 

Origo Remote Start/Stop for Red One

EPIC SCARLET RED ONE
 

64GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
EPIC SCARLET RED ONE
 

128GB 1.8" SSD Media Card

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
EPIC SCARLET RED ONE
 

256GB 1.8" SSD MEDIA CARD

Solid state memory uses no moving parts and is dramatically faster than spinning drives
  • Inserts directly into the Epic SSD module located on the camera
EPIC SCARLET RED ONE
 

RedMag 1.8" SSD Card Reader

Dump your R3D files to your computer in no time at all.
  • Connects to your computer via FireWire 800, USB or eSATA
EPIC SCARLET RED ONE
 

Red RAID Drive - 320GB

An efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
EPIC SCARLET RED ONE
 

Red RAID Drive - 640GB

An even more efficient way to store your media, directly from the camera.
  • Mounts and connects directly to the RED body
  • Downloads footage via Firewire 400, 800, or mini USB
  • Durable Titanium housing
EPIC SCARLET RED ONE
 

Red CF Card - 16GB

The workhorse of digital cinema media.
  • RED's own cards, engineered to handle the tremendous amount of data 4k footage comprises.
  • Stores 8-10 min of footage, or roughly 800' of film
EPIC SCARLET RED ONE
 

Element Technica BNC Breakout Box

Splits the video output signal, allowing for more client/director monitors on set.
  • Mounts directly onto the camera
  • BNC Output only
EPIC SCARLET RED ONE
 

Anton Bauer Battery Plate

Easy to install, lightweight and compact.
  • Compatible with both Epic and Scarlet
  • 12oz.
EPIC SCARLET RED ONE
 

Module Adapter

  • Mounts onto rear of DSMC camera
  • Allows for mounting for Module Adaptor specific accessories
EPIC SCARLET RED ONE
 

Rear SSD Module

  • Secures onto the back of your DSMC brain to serve as a rear location for recording onto 1.8" REDMAG SSD media
  • A Module Adaptor is required to mount this module
EPIC SCARLET RED ONE
 

Dual Battery Module

  • Holds up to 2x REDVolt batteries
  • Hot swap capable
  • Attaches directly to Module Adaptor
EPIC SCARLET RED ONE
 

Quad Battery Module

  • Holds up to 4x REDVolt batteries
  • Hot swap capable
  • Attaches directly to Module Adaptor
EPIC SCARLET RED ONE
 

Pro I/O Module

Attaches to the rear of your DSMC brain to provide a central hub for essential I/O connections.
  • 1x Genlock / PGM / Preview (BNC)
  • 1x AES
  • 2x 3-Pin XLR Input
  • 1x 5-Pin XLR Output
  • 1x Timecode (5-Pin Lemo)
  • 1x GPIO (4-Pin Lemo)
  • 1x Power (4-Pin Lemo)
  • 1x AUX (10-Pin Lemo)
  • 1x LCD/EVF Output (RED Display)
EPIC SCARLET RED ONE
 

Full Metal Jacket Cage

  • Compatible with both Epic and Scarlet
EPIC SCARLET RED ONE
 

Ti Canon EOS Mount

  • Compatible with both Epic and Scarlet
EPIC SCARLET RED ONE
 

3BNC-TO-00 Sync Cable

EPIC SCARLET RED ONE
 

4-Pin XLR Power Cable

EPIC SCARLET RED ONE
 

Red Drive Cable 18 inch

  • Connects the RED ONE to a RED-DRIVE
EPIC SCARLET RED ONE
 

RED One Audio cable

  • Red Mini XLR to Mini XLR Cable
EPIC SCARLET RED ONE
 

P-tap to Redmote Power Kit

EPIC SCARLET RED ONE
 

Red AC Power Adaptor

EPIC SCARLET RED ONE