The ARRI ALEXA 35 is a 4K Super 35 digital cinema camera.

Combining the compact size and low weight of the popular ALEXA Mini with the large-format ALEXA LF sensor, ALEXA Mini LF brings exciting new creative possibilities to ARRI’s large-format camera system.

Optimized for large-format lenses, the LPL lens mount fitted to ALEXA LF and ALEXA Mini LF cameras accepts ARRI Signature Primes, ARRI Rental DNA LF and 65 format optics, and third-party LPL lenses. The PL-to-LPL adapter, which attaches securely to the LPL lens mount without tools, offers backwards compatibility with all PL mount lenses, be they Super 35 or full frame. LDS-2 or /i lens metadata is accessible via the LPL mount, and LDS-1 or /i via the PL-to-LPL adapter. ARRI’s Frame Line and Lens Illumination Tool, available in the Learn & Help/Tools section of the ARRI website, illustrates how much of the large-format sensor is covered by a given lens.

Other manufacturers, such as Panavision and Vantage, offer proprietary lens mounts for the ALEXA LF and ALEXA Mini LF cameras, to support their own lens ranges. Cinematographers therefore have an almost unlimited lens choice when shooting with ARRI large-format cameras.

Product Highlights:

• Three internal, motorized large-format FSND filters: ND 0.6, 1.2 and 1.8

• New dedicated, regulated 12 V and 24 V accessory power outputs

• New SYNC IN and improved AUDIO connectors

• Two built-in microphones

• Six user buttons on camera’s left side

• One LOCK button each for camera and viewfinder

• Additional external WiFi antenna

• Easier access to media, VF and TC connectors

• Same sensor and recording formats as ALEXA LF

• Compatible with LPL and PL mount lenses, Super 35 and full frame

• Supports all anamorphic de-squeeze ratios

• Compatible with almost all ALEXA Mini accessories

• Compatible with ARRI and CMotion wireless remote systems

• Works with 12 V and 24 V on-board batteries (~65 W power draw)
  

With its compact, lightweight carbon body, the ALEXA Mini Body with 4:3 and ARRIRAW complements the range of full-size ALEXA cameras, and is especially useful for capturing specialized shots. The self-contained ALEXA Mini can record UHD-resolution images with up to 14 stops of dynamic range. Its 35mm-sized CMOS sensor features a titanium mount and a 4:3 aspect ratio. The included 4:3 Open Gate, and ARRIRAW licenses enable ProRes recording in several widescreen options, as well as in-camera and external ARRIRAW capture. Use the preinstalled ARRI Look Library license to quickly apply any of 87 graded looks to your footage.

Product Highlights

• 35mm ARRI ALEV III CMOS Sensor
• 4K UHD 3840 x 2160 (Up-Sampled 3.2K)
• MXF/ARRIRAW & 4:3/Open Gate Licenses
• Preinstalled ARRI Look Library License
• Built-In Lens Motor Control & ND Filters
• PL Lens Mount
• Images Integrate with All ALEXA Models
• Suitable for Gimbals and Multicopters
• Records to CFast 2.0 Memory Card
• Lightweight Carbon Fiber Body

RED DIGITAL CINEMA's WEAPON HELIUM 8K S35 BRAIN (PL, Standard OLPF) is built around the HELIUM 8K Super 35 CMOS sensor, offering rich 8K resolution in the lightweight, modular DSMC2 carbon fiber camera body. Features include a dynamic range of 16.5 stops, and the ability to record in REDCODE RAW (R3D) and ProRes or DNxHR/HD simultaneously. The included carbon fiber DSMC2 Sidekick control panel, and the magnesium RED DSMC S35 PL Mount 2.0 share the WEAPON's strong yet lightweight design. Capture up to 60 fps in full-format 8K 8192 x 4320, or overcrank up to 75 fps in the 2.4:1 aspect ratio; additional frame rate choices include 120 fps in 4K, and up to 240 fps in 2K full format.

Product Highlights:

• 8K Super 35 CMOS Sensor
• CF Sidekick Control & Standard OLPF
• 8192 x 4320 Recording up to 60 fps
• REDCODE RAW, ProRes, and DNx Recording
• Interchangeable Magnesium PL Mount
• Standard OLPF Included
• High-Speed Recording up to 240 fps in 2K
• Up to 300 MB/s Data Speeds
• Uses DSMC2 Accessories
• Carbon Fiber Body Construction

KOMODO 6K is the latest breakthrough product in RED's long line of innovative image capture technology. The newest entrant into the RED lineup is a compact and highly powerful cinema camera. It features RED’s cinema-grade image quality, color science, and sensor technology into a shockingly small form factor so that users can take it anywhere and adapt it to any shooting scenario. The new sensor in KOMODO is a 6K S35 global shutter sensor that breaks new technical ground by eliminating the need to sacrifice dynamic range while meeting the RED standard of unmatched imagery without any creative or technical compromises. KOMODO also features a built-in Canon RF-style mount, allowing users the flexibility to use numerous different lens adapters, such as Canon EF, PL and Leica M mount. The built-in RF mount allows you to adapt to numerous different lens adapters, such as Canon EF, PL and Leica M mount, providing ultimate flexibility to achieve the look of your choosing.

Features:

• Global Shutter without sacrificing image quality or dynamic range

• 6K resolution

• S35 sensor (27.03mm x 14.26mm)

• Full sensor 6K 40 fps, 6K WS @50 fps, 4K @60 fps

• Versatile RF mount with ability to utilize adaptors for EF, PL and other lens systems

• Form-factor: small & versatile (4”x4”; under 2.1 lbs)

• REDCODE RAW, now simplified with quality levels

• 4K monitoring out • Cinematic color science with IPP2

Full-Frame Sensor For Cinema

VENICE features an all-new Full-Frame sensor with the classic 36 x 24mm dimensions that have been a staple of photography for over 100 years. Designed exclusively for high-end cinematography, this sensor can capture images up to a maximum resolution of 6048 x 4032.

Switchable imager modes mean VENICE can support an unprecedented number of cinematic aspect ratios for complete creative freedom:

Full width 36 mm 6K

In full-frame, you can use the full 6048 pixel width of the sensor for 6K imager modes such as 3:2, 2.39:1*, 1.85:1, 17:9 and 16.9*. Equivalent to 4-perforation motion picture film, these 6K modes allow for extra shallow depth of field, super-wide shooting and other creative effects.

Super35 anamorphic 4K

For super wide screen productions, VENICE offers two full height 2x squeeze anamorphic imager modes that include 6:5 and 4:3 recording modes for 12:5 (known as 2.39:1) and 8:3 (2.66:1) scenes respectively.

Rialto Camera Extension

The Sony Rialto enables cabled separation of the Sony VENICE camera body and image sensor block by up to 18 feet with no degradation in image quality. This is particually useful when filmming in cars and other spacial constraints. It also provides a lightweight setup for handheld.